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The baroque period in the Italian Opera was a period in which females were not able to perform in religious ceremonies. Castratos were males who had a minor surgery on their testicles before puberty in order to avoid a voice change, so that men could perform female roles.

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14y ago

Women were not allowed to be on the stage in the early days of opera, and so castrati (the plural of castrato) were used to sing the higher, female roles. Castrati were highly valued in Italy, and the greater the talent, the greater the pay and the perks -- gold, jewels, expensive clothing, and even houses. In those days, it may well have been seen as an acceptable trade-off: a life of comfort at the very least and fame and riches at the highest level for the price of ones testicles.

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Q: Who were the castrati of the baroque period?
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What is a castrati?

A castrati Tenor was a Tenor who had been castrated so he would not go through puberty, and would therefore not experience a change in his voice. Repulsive though the practice may seem to us today, Castrati Tenors were highly prized in the Opera Houses of the Baroque period (approximately 1600 to 1750). Young boy sopranos were hand-picked for selection to be castrated. They could develop into castrati sopranos, altos or tenors, and as they grwe, they would develop more powerful lung power. The Castrati had an extensive vocal range and, because women were forbidden to perform on stage, they could play both masculine and feminine parts in the operas of the time.


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A castrati Tenor was a Tenor who had been castrated so he would not go through puberty, and would therefore not experience a change in his voice. Repulsive though the practice may seem to us today, Castrati Tenors were highly prized in the Opera Houses of the Baroque period (approximately 1600 to 1750). Young boy sopranos were hand-picked for selection to be castrated. They could develop into castrati sopranos, altos or tenors, and as they grwe, they would develop more powerful lung power. The Castrati had an extensive vocal range and, because women were forbidden to perform on stage, they could play both masculine and feminine parts in the operas of the time.


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