There are 3 times where this terminology will come into play. the first is in relation to a single note in the chord. a "dissonant" note is normally a 1/2 step or a tritone (augmented 4th) away from a chord tone, creating an unstable or tense sounding interval or chord. for instance if you play an Ab over a C major Chord, you will notice dissonance because Ab is one 1/2step from G (the fifth of the chord).Note that this terminology can only relate a note to a chord. that is a note cannot be dissonant in relation to nothing, it's classification is dependent on the chord it is surrounded by. a consonant note merely belongs in the chord, it is a chord tone or other note in the key signature that does not result in tension. C E G are all consonant notes in a C Chord (but they are all dissonant in an F# chord) The second is in relation to a chord itself. if a chord has one or more dissonant notes it sounds tense/unstable and can be called a dissonant chord, where a consonant chord sounds stable. The third is in relation to an entire piece or phrase. this is entirely arbitrary as a piece can have dozens of dissonant chords, but progress and resolve in such a way for it to sound stable. or vice versa, a piece may have many consonant chords but not resolve, or end on a dissonant chord to give an overall dissonant impression.
the basic chords are major and minor. a major chord is made up of the first, third, and fifth notes of the major scale. for example:C D E F G A B Cin a c major scale, the first, third, and fifth notes are C, E, and G, and these three notes make up the chord C major, which is usually written as simply "C."It works the exact same way with minor chords.C D Eb F G Ab Bb Cin a c minor scale, the first, third, and fifth notes are C, Eb, and G, and they make up the chord C minor, which is written as "Cm" or sometimes "C-."hopefully this is helpful. if you'd like me to explain more complex chords i can
C major triad : C - E - GG major triad : G - B - DD major triad : D - F# - AA major triad: A - C# - EE major triad : E - G# - BB major triad : B - D# - FC# major triad: C# - E# - G#F# major triad : F# - A# - C#Cb major triad : Cb - Eb - GGb major triad : Gb - Bb - DbDb major triad : Db - F - AbAb major triad : Ab - C - EbEb major triad : Eb - G - BbBb major triad : Bb - D - FF major triad : F - A - CA natural minor triad : A - C - EE natural minor triad : E - G - BB natural minor triad : B - D - F#F# natural minor triad : F# - A - C#C# natural minor triad : C# - E - G#A# natural minor triad : A# - C# - EG# natural minor triad : G# - B - D#D# natural minor triad : D# - F# - A#Eb natural minor triad : Eb - Gb - BbAb natural minor triad : Ab - C -EbBb natural minor triad : Bb - Db - FD natural minor triad : D - F - AG natural minor triad : G - Bb - DC natural minor triad : C - Eb - GF natural minor triad : F - Ab - C
12 notes or 13 depending on how you look at it. C, #C, D, #D, E, F, #F, G, #G, A, #A, B, (C)
Pallavi : Phulon ka taaron ka sabka kahna hai C C C, C {D} E...C D..., A-A#- C D....C.............1 ek hazaaron man meri bahna hai C, C {D} E...C D..., C D E G D.............................2 saari umar hamen sang rahna hai E G... F A.....F F, G...{G#G} E....{DC}....D.........3 Play line 1 again Charanam : yeh na jaana duniya ne tu hai kyun udaas G F E, G F E, G F E, G F E, D E F G {A} G.....4 teri pyaasi aankhon men pyaar ki hai pyaas G F E, G F E, G F E, G F E, D E F G...F...........5 Play lines 4 and 5 again aa mere paas a, kah jo kahna hai C C C, C {D} E...C D..., A-A#- C D....C............6 Play lines 2 and 3 again Play the whole pallavi again Play the whole thing again for the second stanza.
F, Ab, C.
The note names in a major chord and a minor chord are the same. The only difference is the flattened third. F major chord is F A C where f minor is F Ab C.
An Fm7 is made up of an F, an Ab, a C, and an Eb.
Hi Felicia,Actually, there are some things you can prcitcae while watching TV, like, making chord changes. You don't necessarily have to make any noise, just let your fingers of your left hand prcitcae moving from one chord to another chord. Maybe you and your Mom could come up with a compromise of some sort? Like, you prcitcae at a certain time every day, so she knows when it will begin and end? Or, you find a space to prcitcae in your home that it quiet and private? Believe it or not, some people prcitcae in bathrooms or big closets sometimes!
A C and F chord
Alto sax: Intro/Chorus: Bb f f# c#... f# f x 4 (2:04) C#, C#, C# C# e, e f# e e, e C# C# C#, C# Bb, Ab, F, Eb, F, Ab, Bb, C# C# e ab ab f# f.. f# f C# e f# ab, ab ab bb b bb b bb ab f# ab... f# e eb C# B Ab F# Ab Bb Ab, Bb, C#. C# e., C# C# C# e e C#, e, f# e f# e C# e ab c#.... Outro: f#, f, Bb
E.T as in extra terrestrial by Katy perry!? Okay So heres the notes!. Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F, Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F, Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F/Ab G F C Bb Ab G/F C Bb Ab G F. F C Bb Ab G, F F F F F F F F F F Db C Chorus: Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F Ab Ab Ab Ab Ab Ab/Ab G Ab G Ab F Ab G Ab G Ab F F Ab Bb C Db C/F Ab Bb C Ab Ab F/F Ab Bb C Db C F Ab Bb C Ab Ab F..
these are the notes for kuch kuch hota hai, F# G F# E D E F# G F# E D E F# G F# E D F# E F# E G F# E D I think it is these actually: C C# C Bb Ab C C C# C Bb Ab C Bb C Bb Ab G Eb Bb Ab Bb Ab Ab Ab Ab Ab Ab Bb C F F Eb Ab Ab C F F Eb Bb C Bb Ab G F Eb Bb Ab Bb Ab Ab Ab Ab Bb C Bb Ab G F Eb Bb Ab Bb Ab Ab Ab Ab
Concert F chord.
the 12 major scales and arpeggios are as follows: c d e f g a b c C major scale g a b c d e fsharp g Gmajor scale d e f# g a b c# d Dmajor scale a b c# d e f# g# a Amajor scale e f# g# a b c# d# e Emajor scale b c# d# e f# g# a# b Bmajor scale f# g# a# b c# d# e# f# F#major scale enharmonic note gflat dflat eb f gb ab bb c db Db major scale ab bb c db eb f g ab ab Ab major scale eb f g ab bb c d eb Eb major scale bb c d eb f g a bb Bb major scale f g a bb c d e f Fmajor scale b=flat as second letter in sequence #= sharp as read an arpeggio is really a chord played one after an another or simultaneously the chord sequence for a major scale is as follows: 1major 2minor 3 minor 4 major 5 major 6 minor 7 diminished 8major 1 C major chord C E G 2 D minor chord D F A 3 E minor chord 4 F major chord 5 G major chord G B D 6 A minor chord A C E 7 B diminished chord B D F 8 C major chord C E G remember to follow the chord sequence and refer to the major scales in sequence to work out arpeggios. I'll leave you to work the rest of the arpeggios out for yourself but if you need additional help then a music theory book like "AB guide to music theory"by Eric Taylor is a good read.Or if you want additional help from me dont hesitate to E-Mail me at antonyconnolly@tiscali.co.uk I hope that has been a help Antony Connolly
The first, third, fifth, and seventh note derived from the C major scale, so: C-E-G-B for a major seventh chord (Cmaj7) and the seventh note flattened to Bb or B flat in the C7 chord commonly used in pop/blues as a final chord but in most classical music to be resolved in F.
A chord with the fourth in it. C fourth chord is C F and A, although, it's not really called a fourth, it's called a suspension or suspended chord.