blues
spirituals
From 1731 to 1806, the popular genres of music mostly included individual concertos or compositions that were either piano or stringed instruments. Sometimes, an accompaniment of a violin with a piano or organ was the evening entertainment after a dinner gathering.
All of the above
wiqrge
Jay and the Americans were a popular 1960s music group. The original members were John "Jay" Traynor, Howard Kane, Kenny Vance, and Sandy Deanne. They sang pop music.
blues
the spirituals reflected the religious nature of some Americans and popular folk music reflected in a different way
spirituals
Liberia
There are only two standard jazz progressions, the blues progression and the rhythm changes progression. The form of the blues was derived from spirituals, shouts and chants, work songs and field hollers sung by African American communities in the late 19th century. The rhythm changes progression was simply derived from the song "I Got Rhythm" by George Gershwin. The chord progression became very popular, being used by many other jazz musicians for other tunes.
KEVERN VERNEY has written: 'AFRICAN AMERICANS AND US POPULAR CULTURE'
Robert Nowatzki has written: 'Representing African Americans in transatlantic abolitionism and blackface minstrelsy' -- subject(s): African Americans in popular culture, Antislavery movements, Minstrel shows, History
The mass movement to gain equal opportunities for African Americans is what the civil rights movement was. The popular movement was aimed at granting basic rights and privileges of United States citizenship to African Americans.
an afrow used to be popular in the 1960s its when hair is shaped like a sphere usually worn by African Americans.
Robert Gooding-Williams has written: 'Look, a Negro!' -- subject(s): African Americans, African Americans in popular culture, Intellectual life, Philosophy, Political aspects, Political culture, Politics and government, Popular culture, Race awareness, Race identity, Race relations, Racism in popular culture
They provided a sense of belonging and cultural pride.
Michael Eric Dyson has written: 'Between God and gangsta rap' -- subject(s): African American arts, African Americans, Social conditions 'Open Mike' -- subject(s): African American intellectuals, African American philosophy, African Americans, African Americans in popular culture, Intellectual life, Interviews, Race identity, Race relations, Social conditions 'Know What I Mean?' -- subject(s): Hip-hop, History and criticism, Rap (Music) 'Come Hell or High Water' -- subject(s): African Americans, Disaster relief, Emergency management, Floods, Hurricane Katrina, 2005, Political aspects of Emergency management, Social conditions, Poor, Race relations, Social aspects, Civil rights, Racism, Relations with African Americans, Classism, Political aspects, History 'Mercy, mercy me' -- subject(s): Singers, Biographies, Chanteurs, Biography 'Mercy, Mercy Me' 'The Michael Eric Dyson reader' -- subject(s): Race relations, Race identity, Intellectual life, Popular culture, African Americans in popular culture, African American philosophy, Social conditions, African Americans