Abstraction
developed the use of abstarction
Fresco painting was indeed less common in Byzantine art compared to other forms of decoration, such as mosaics. While frescoes were used, particularly in church interiors, the Byzantine aesthetic heavily favored mosaics due to their luminosity and durability. Mosaics allowed for intricate designs and vibrant colors that were more aligned with Byzantine spiritual and artistic goals. Therefore, while not absent, fresco painting was not the predominant medium in Byzantine art.
The Carolingian art is most closely associated with the Medieval Period, specifically during the reign of Charlemagne in the late 8th to early 9th centuries. This period marked a revival of classical art and culture, influenced by the Byzantine style, and aimed at unifying the various regions of Charlemagne's empire. The art produced during this time often featured religious themes and intricate decorative elements, reflecting the merging of Germanic, Roman, and Christian traditions.
Wood land art, Spirtual and X-ray art
Art nouveau
Abstraction
Byzantine
Well seeing as Byzantine Art really only applies to a style of art in the Byzantine Empire and not the world, one can't really give a definite name to its predecessor. However, Byzantine Art was influenced by art from the Roman Empire (Roman Art).
There is a Wikipedia page dedicated to educate people about Byzantine art history. It provides plenty of information for anyone who wants to learn about it.
Byzantine artist favored the hieratic style because religious figures were not real, therefore it makes sense to portray them in a non-naturalistic manner. This style was not iconic. It could exist to the iconoclastic Byzantine Period.
Leslie Brubaker has written: 'Byzantium in the iconoclast era (c. 680-850)' -- subject(s): Politics and government, Art and state, Byzantine Art, Byzantine Icons, Church and state, Iconoclasm, Byzantine antiquities, Sources, Church history, History 'Vision and meaning in ninth-century Byzantium' 'Images of the Byzantine world' -- subject(s): Byzantine Architecture, Idols and images, Meaning (Philosophy), Byzantine Art, Intellectual life, Visual communication, Nonverbal communication, Civilization, Church history, Visions, History
Paul Hetherington has written: 'Byzantium' -- subject(s): Art, Byzantine, Byzantine Art, History 'Mapping Wildwood Road' 'Stepping away' 'Medieval Rome' -- subject(s): History, Social history 'Shadow swimmer'
The Eastern Roman Empire after the fall of the Western Roman Empire has been termed Byzantine Empire by historians . Tts art is called Byzantine art. Icons were the most distinctive form of Byzantine art. These were paintings on flat panels, usually made of wood, depicting Christian themes. They were often gilded with golden leaf. The Byzantines developed their own style for mosaics. There was also Byzantine architecture.
New Media is an art form which came about in the 1960s.
Cyril A. Mango has written: 'Byzantine literature as a distorting mirror' -- subject(s): Byzantine literature, History and criticism 'Architettura bizantina' 'The art of the Byzantine Empire, 312-1453' -- subject(s): Byzantine Art, History, Sources 'Hagia Sophia' 'Byzantium and its image' -- subject(s): Civilization 'Byzantine architecture' -- subject(s): Byzantine Architecture, History 'Byzantium' -- subject(s): Civilization 'The brazen house' -- subject(s): Antiquities
The Byzantine style of art developed during the early Christian period, particularly from the 4th century AD onwards, following the establishment of Constantinople in 330 AD. This style is characterized by its religious themes, use of gold and vibrant colors, and a focus on iconography. It reached its peak between the 6th and 12th centuries, reflecting the cultural and spiritual values of the Byzantine Empire.
Italo-Byzantine style refers to a distinctive art movement that emerged in Italy during the late medieval period, blending elements of Byzantine art with Italian influences. Characterized by its use of vibrant colors, intricate patterns, and religious themes, this style is often seen in frescoes, mosaics, and panel paintings. Italo-Byzantine art emphasizes flatness, a lack of perspective, and stylized figures, reflecting both the spiritual nature of its subjects and the cultural exchange between the Byzantine Empire and Italy. Notable examples include works from artists like Duccio and Cimabue, who played a significant role in its development.