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He was born on December 2, 1859 in Paris. His father was a native of Champagne, and his mother was a Parisian. He lived at 100 Boulevard Magenta with his parents, a brother, Emile, and a sister, Marie-Berthe.

In 1875 Seurat took drawing lessons under the sculptor Justin Lequien. Seurat also took lessons from an artist named Ingres. Ingres didn't paint like Seurat did. But he was the praised student of Jacques-Louis David. Ingres was known for his meticulous working procedure.

Seurat spent his life studying color theories and the effects of different linear structures. He developed the style of painting known as Pointillism. He had 500 works of art of his own and he was proclaimed to be a master. But it isn't just the number of his works that make him an expert. His magnificent pointillist pieces make him the famous artist that he is today.

Some of his most famous paintings include:

-Bathing at Asnieres

-A Sunday Afternoon on the Island of La Grande Jatte

-Le Chahut [The link to the left provides background information on Le Chahut, for larger image of the painting click here.]

-Eden Concert (a crayon drawing, not a painting)

Seurat was not just interested in the way that the colors were put onto the painting or the painting itself. He was mostly concentrating on the science in the picture and the optical mixing of the colors. Before actually painting the picture, he would sketch out parts of his artwork so that the models would not have to wait forever while he found the exact color.

Seurat had many people who really didn't like the new work that he was introducing. They may have thought it as "fuzzy" or "messy". In their opinion it really wasn't very good at all. But there were some artists who really felt that what he was doing was very artistic and complicated. Paul Signac, a fellow artist, was one of those people. He praised Seurat very much. In one of his journal entries he says of Seurat: "He surveyed the scene and has made these very important contributions: his black and white, his harmony of lines, his composition, his contrast and harmony of colour, even his frames. What more can you ask of a painter?"

Signac also commented on the importance of color purity in a pointillist piece: "I attach more and more importance to the purity of the brushstroke - I try to give it maximum purity and intensity. Any defiling sleight of hand or smearing disgusts me. When one can paint with jewels, why use [manure]? Each time that my brushstroke happens to come up against another, not yet dry, and this mixture produces a dirty tone, I feel great physical disgust! It is this passion for beautiful colours which make us paint as we do...and not the love of the 'dot', as foolish people say." Signac states here that the pointillist artists were not physically into their paintings for the "dot" as most people would think. But for the phenomenal optical mixing of the colors themselves.

Seurat invented a way to show colors as they really are. Not mixed or dulled or anything else. He invented art in which you are allowed to keep the purity of the colors as they come from the tube, and yet still paint and use an abundance of tones to bring life to your painting. We all have him to thank for that. So whether you like the "fuzziness" of pointillist paintings or not, note the concentration that a pointillist artist would have to have to create a piece that would have to be pleasing to the eye as well as scientifically stimulating.

P.S. If you can read French, visit this site on George Seurat.

Answer 2:

The catalogue 'All the works by Georges Seurat' lists 215 paintings and 180 drawings.

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13y ago
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12y ago

he made about 24 big paintings and about 13 small ones in his life time bare in mind that it did take a long time to make a painting back then.

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13y ago

He painted about 2000 paintings and sold most of them.

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13y ago

dec 2008 'Au Divan japonais', Conté crayon and gouache on paper.

Sold : € 4,992,750 (= $675 000)

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11y ago

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