The aulos.
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The celebration of Dionysian rites in ancient Greece involved excessive drinking, debauchery, and frenzy, which Plato believed would negatively influence his ideal city-state. Consequently, he banned these cults due to their disruptive and irrational behavior that could undermine the harmony and order of society as advocated in his political writings.
The flute was banned by Plato because of its association with emotional and irrational behavior in the cults of Dionysus. Plato believed that music should only be used to promote moral and intellectual growth in society.
Aulos
Plato banned the flute from his ideal republic due to its association with the cults of Dionysus. He believed that the flute's emotional and irrational nature did not align with the rational and harmonious ideals of his ideal society.
Plato banned the instrumental music of the aulos because it was commonly associated with the wild and emotional rituals of the cults of Dionysus, which he believed were corrupting influences on society. Plato believed that music should promote order and rationality in the soul, unlike the aulos which he saw as stirring up irrational passions.
Plato banned the flute because he believed it was associated with excessive emotion and unruly behavior, commonly seen in the cults of Dionysus. He preferred the more structured and rational qualities of the lyre for musical expression in his ideal society.