The world view of Antigone is the perception of the world as the passage through life into death. She believes that she will spend more time in the world of the dead than of the living. And so she wants to pay attention to the passions of life and the respect for the dead. This is why she says that she doesn't want to carry life's hatreds over into the treatment or mistreatment of the dead. It also is why she sees the ties of blood and of community as important connections that don't end with death. A word that sums up Antigone's world view is mercy. The world view of Theban King Creon is the immediacy of life, the importance of the here and now. He believes that a ruler must be focused on the lasting nature of his own rule. And so he wants to pay attention to the control of life by way of an ordered society in which the power is centralized at the very top. This is why he says that obedience to the laws that the ruler enacts and enforces is the supreme good, disobedience the supreme evil. It also is why he's devoted to this dictatorial view througout all aspects of his personal and professional life. A word that sums up the King's world view is 'order', at all costs.
The quote is a reply by Antigone to King Creon, in Sophocles' play "Antigone".
Antigone suffers more than Creon in the short term, but Creon suffers more in the long term in "Oedipus Rex" by Sophocles (495 B.C.E. -- 405 B.C.E.).Specifically, Theban Princess Antigone suffers immediately, in this world, because she receives the death penalty and commits suicide. But she will be receive a hero's welcome in the Underworld of the afterlife. In contrast, King Creon loses not his life, but everyone and everything that gives that life meaning: family, home, job, and reputation. The suffering will not end with his earthly life, because he then will be accountable for his misdeeds for all eternity in the Underworld of the afterlife.
That the law conflicts with divine law is the reason that Antigone gives Creon for disobeying his orders in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone says that burial and funeral rites are promised by the gods to all Thebans. She says that she must choose obedience to divine law over human law because the gods, not mortals, rule this world and the afterlife. Breaking a human law means death in this world whereas breaking a divine law has consequences in both this world and the afterlife.
That she is in the right and that he is in the wrong is the way in which Antigone explains her actions to Creon in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone disobeys a royal edict in order to obey a divine law and cherished Theban tradition. She defends her actions as respect for divinely expressed will since the gods rule in this world and in the Underworld of the afterlife. She criticizes her uncle, King Creon, for issuing an edict that denies to Thebans he perceives as enemies the below ground burial rights that the gods promise to all Thebans. She asserts that she is in the right for respecting the gods and that Creon is in the wrong for blaspheming divinely expressed will.
Allegiance to the dead is Antigone's prime duty in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone says that she will spend more of her existence in the Underworld of the afterlife than in this world of the here and now. Disrespect to dead family members and Thebans may not be punished in this short lifetime if so sanctioned by the illegal edict of her uncle, King Creon. But it is punishable for all time in the next world because below-ground burials and funeral rites are guaranteed by the gods.
The quote is a reply by Antigone to King Creon, in Sophocles' play "Antigone".
That it is a case of clear opposites and that it shows different personalities and world views are the respective explanations of the concept and occurrence of foil in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the play begins with Theban Princess Ismene serving as Princess Antigone's foil. The contrast emphasizes Ismene's duty to the state versus Antigone's respect for the gods. The play goes on to present Prince Haemon as King Creon's foil. The contrast illustrates royal rule at its best and at its authoritarian worst. The play then offers Teiresias the blind prophet as Creon's foil. The contrast promotes wisdom versus folly.
Antigone suffers more than Creon in the short term, but Creon suffers more in the long term in "Oedipus Rex" by Sophocles (495 B.C.E. -- 405 B.C.E.).Specifically, Theban Princess Antigone suffers immediately, in this world, because she receives the death penalty and commits suicide. But she will be receive a hero's welcome in the Underworld of the afterlife. In contrast, King Creon loses not his life, but everyone and everything that gives that life meaning: family, home, job, and reputation. The suffering will not end with his earthly life, because he then will be accountable for his misdeeds for all eternity in the Underworld of the afterlife.
That the law conflicts with divine law is the reason that Antigone gives Creon for disobeying his orders in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone says that burial and funeral rites are promised by the gods to all Thebans. She says that she must choose obedience to divine law over human law because the gods, not mortals, rule this world and the afterlife. Breaking a human law means death in this world whereas breaking a divine law has consequences in both this world and the afterlife.
That she is in the right and that he is in the wrong is the way in which Antigone explains her actions to Creon in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone disobeys a royal edict in order to obey a divine law and cherished Theban tradition. She defends her actions as respect for divinely expressed will since the gods rule in this world and in the Underworld of the afterlife. She criticizes her uncle, King Creon, for issuing an edict that denies to Thebans he perceives as enemies the below ground burial rights that the gods promise to all Thebans. She asserts that she is in the right for respecting the gods and that Creon is in the wrong for blaspheming divinely expressed will.
Allegiance to the dead is Antigone's prime duty in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone says that she will spend more of her existence in the Underworld of the afterlife than in this world of the here and now. Disrespect to dead family members and Thebans may not be punished in this short lifetime if so sanctioned by the illegal edict of her uncle, King Creon. But it is punishable for all time in the next world because below-ground burials and funeral rites are guaranteed by the gods.
That gods rule is what Antigone means when she says to Creon that all his strength is weakness against the immortal, unrecorded laws of the gods in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone recognizes that the gods rule in this world whose course they control through the relentless Furies of human destiny. She also realizes that the gods rule in the Underworld of the afterlife. She therefore knows that any mortal who goes against divine will is doomed to failure since the gods never let anything pass.
What should happen when individual actions and beliefs don't line up with a particular society's definitions of acceptable and unacceptable behavior is a question that connects the play 'Antigone' to the real world. The play indeed pits the behavioral preferences and spiritual beliefs of Antigone against the behavioral preferences and legal action of her Uncle Creon, King of Thebes. In the real world of nowadays, that question may be asked by women in Muslim countries. Their role typically is more on the order of the unquestioning and obedient Ismene, and less on the order of the conscientious and passionate Antigone.
It's not. Different world views are not better or worse than other world views.
It unfolds different views of the world and people.
That love has its own rationale that beats all reason is the view that the chorus expresses in the brief ode following Creon's scene with Haemon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader expresses concern over how upset and out of control Theban Prince Haemon seems to be in taking leave of his father, King Creon. The chorus then describes love as the most powerful force in the world of the gods and in the lives of mortals. They basically conclude with the warning to beware of the havoc that can be created by two lovers whose love is being threatened.
Goal-fixated is how Creon's personality may be described in "Antigone" by Sophocles (495 B.C.E. -- 405 B.C.E.).Specifically, Theban King Creon first appears when he announces his non-burial edict to the chorus of Theban elders. He makes it clear that enforcement of all of his laws and the survival of the Theban state are his personal interest and professional concern. Since that is all that he thinks matters until it is too late, he clearly operates from the exaggeratedly focused stance of a goal-directed personality who is fixated on success and who brooks no interference.