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KURATSA (Tacloban, Leyte)
Introduction. Partners join inside hands, free hands down at the sides. Starting with the R foot, take three steps forward (cts 1,2,3). Put feet together and bow to partner or audience (ct 1)…..[2M] Dancers separate about six feet apart. The last two counts of the music are not played until the partners are in their proper places.
FIGURE I. Music A.
a. Starting with the R foot take three steps forward to be side-by-side (L to L shoulder) at center (cts 1, 2, 3, 1); transfer weight to R foot in rear (cts 2), transfer weight to l Foot in front (cts 3). Hands down at the side and swing naturally in time with the music or the girl holds skirt, boys hand on waist while doing the four steps forward on cts 1, 2, 3 1. Right arm in fifth position and L hand on waist when transferring weight on cts 2, 3…..[2M] b. Starting with the R foot, take four steps backward to proper places. Hands as in (a) (4 cts), two-step turn R in place, girl holding skirt, boy's hands on waist 92cts)…..[2M] c. Repeat (a), this time partners stand by each other's R shoulder at center…..[2M] d. Starting with the R foot, take four steps forward to partner's place (4 cts), two-step turn R about to face partner (2 cts)…..[4M] e. Repeat all (a to d), finishing in proper places, facing each other….[8M]
FIGURE II Music B. a. Sway balance with a raise, R and L. Arms in fourth position, R and L arms high or bent at shoulder level, opening and closing with a forearm turn…..[4M] b. Execute three waltz half-turns R to partner's place (one waltz step for every half-turn) Forearm turns R and L alternately. Finish facing partner. Pass each other by L shoulders…..[3M] c. Repeat (a and b), finishing in proper places…..[7M] d. Repeat all (a to c)…..[14M]
FIGURE III Music C.
Face L- Boy faces audience, Girl, away from audience. Starting position- R foot in fifth in front.
a. With the R foot leading, take seven mincing steps moving sideward R toward partner's place (take six mincing steps for the first three counts and only one on the fourth count). R arm in fifth position, L hand on waist (4 counts). Turn R about on the ball of R foot (2 cts)…..[2M] b. With the L foot leading, repeat (a) going to partner's place. Reverse position of the arms (4 cts), turn L about on the ball of L foot (2 cts)…..[2M] c. Repeat (a)…..[2M] d. Cross-turn R. Bend trunk and knees slightly while turning and straighten them at the close of the turn. Salok L hand across the body while turning R hand on waist or in fifth position. Finish facing each other…..[2M] e. Repeat all (a to d), finishing in proper places facing partner…..[8M]
FIGURE IV Music B.
a. repeat Figure II (a)…..[4M] b. Starting with the R foot take 2 waltz step forward to form one line at center facing audience, girl stand in front of the partner (2M). Pause (1M)…..[3M] c. Take four waltz steps sideward , R and L alternately. Arms in lateral position, moving sideward Rand L alternately….[4M] d. Repeat Figure II (b)…..[3M] e. Repeat all (a to d), finishing in proper places…..[14M]
FIGURE V Music C.
Face L as in Figure III.
a. Execute tiny steps moving to sideward R. The R foot steps forward and backward alternately, while the L moves little-by-little to sideward R. Partners meet at the center in a back-to-back position at the end of the fourth measure. R arm in fifth and L bent at shoulder level…..[4M] b. With partners in back-to-back position and close to each other, continue doing the same step, turning clockwise in place. Arms as in (a)…..[4M]
Partners face each other. c. Continue doing the same step moving clockwise. Reverse the position of the arms every 2 measures or on every measure…..[6M] d. Waltz-turn R to proper places. Arms as in Figure II (b)…..[2M]
FIGURE VI Music B.
a. Sway-balance with a hop, r and L. Arms in fourth position, R and L arm high alternately…..[4M] b. Take two waltz steps forward to meet partner at the center. Arms in lateral position, moving sideward R and L (2M). Pause (1M)…..[3M] c. R arm bent forward at shoulder level, L arm in fifth position. Point R foot sideward (cts 1, 2), point R close to L in first position and bend body jerkily toward pointing foot and at the same time lowering R elbow close to waist (ct 3)…..[2M] d. Repeat (c) …..[2M] e. Starting with the R foot, take two waltz step forward to partner's place. Arms as in (b), passing by R shoulders…..[2M] f. Waltz-turn r about. Finish facing partner. Arms in Figure II (b) ,,,,,[1M] g. Repeat all (a to f), finish in proper places…..[14M]
FIGURE VII Music B. Play faster and once only.
a. Starting with the R foot, take two waltz step forward to meet at center. Arms in lateral position, moving sideward R and L…..[2M] b. With the girl leading, partners waltz to any direction as if the boy is chasing the girl. Girl turns around to face partner once in a while, then continues to move in any desire direction. Arms as in (a)…..[10 M] c. Partners join inside hands, Girl standing at the R (1m), bow to each other or to audience (1M)…..[2M]
What else can I help you with?
Basis steps in kuratsa folk dance?
The Kuratsa dance is a traditional folk dance in the Philippines. Only one couple dances at a time and it is considered a proud and lively dance.
What is the of philippine courtship folk dance?
Kuratsa,cariñosa and
What is kuratsa dance?
Kuratsa is a very popular dance in the Visayan Islands of the Philippines where it captures how Filipino men court a lady through a dance. This dance is a Filipino traditional dance of courtship.Kent Francis B. Cameros II-BluebirdCute Dao Akh0....hehehehXDAPF15XD
What costume to dance kuratsa folk dance?
Its a maria Clara costume anda barong.
How many members does kuratsa dance have?
The Kuratsa dance typically involves a pair of dancers, usually a male and a female, but it can also include additional participants, such as musicians or other dancers. The main focus, however, is on the couple performing the dance. The number of performers can vary depending on the specific performance or occasion.
Basis steps in kuratsa folk dance?
The Kuratsa dance is a traditional folk dance in the Philippines. Only one couple dances at a time and it is considered a proud and lively dance.
What is the of philippine courtship folk dance?
Kuratsa,cariñosa and
What is kuratsa dance?
Kuratsa is a very popular dance in the Visayan Islands of the Philippines where it captures how Filipino men court a lady through a dance. This dance is a Filipino traditional dance of courtship.Kent Francis B. Cameros II-BluebirdCute Dao Akh0....hehehehXDAPF15XD
What costume to dance kuratsa folk dance?
Its a maria Clara costume anda barong.
Who are the author of kuratsa dance?
The Kuratsa dance doesn't have a specific author, as it is a traditional Filipino folk dance that has been passed down through generations. It originates from the Visayas region of the Philippines and is characterized by its flirtatious movements and lively music.
How many members does kuratsa dance have?
The Kuratsa dance typically involves a pair of dancers, usually a male and a female, but it can also include additional participants, such as musicians or other dancers. The main focus, however, is on the couple performing the dance. The number of performers can vary depending on the specific performance or occasion.
What is the origin place of kuratsa dancefolk?
The kuratsa dance originates from the Philippines, particularly associated with the Visayan region. It is a traditional folk dance that is often performed during festive celebrations and social gatherings. The dance features lively movements and is accompanied by local music, showcasing the rich cultural heritage of the Filipino people.
What is kuratsa dance history?
Kuratsa is a traditional folk dance from the Philippines, particularly associated with the Visayan region. It is characterized by lively movements and is often performed during festive occasions, such as weddings and local celebrations. The dance typically features a male and female dancer, showcasing flirtatious and playful interactions, reflecting cultural themes of courtship. Over time, kuratsa has evolved, incorporating various regional styles and music, while remaining a vibrant expression of Filipino heritage.
Why kuratsa dance?
The Kuratsa dance is a traditional folk dance from the Philippines, particularly popular in the Visayas region. It is often performed during festive occasions, celebrations, and cultural events. The dance showcases lively movements and is characterized by playful interactions between male and female dancers, symbolizing courtship and romance. Additionally, it reflects the rich cultural heritage and vibrant traditions of Filipino communities.
What is the literature of kuratsa folk dance?
The kuratsa is a traditional folk dance from the Philippines, characterized by lively and playful movements often performed during celebrations and social gatherings. It typically involves a couple dancing to the rhythm of local music, showcasing intricate footwork and playful interactions. The dance is often accompanied by traditional instruments, reflecting the culture and history of the regions where it is performed. Literature surrounding kuratsa often includes narratives about its origins, cultural significance, and variations across different Filipino communities.
What is the theme of kuratsa?
The theme of Kuratsa, a traditional Philippine folk dance, revolves around courtship and celebration. It typically depicts a lively interaction between male and female dancers, showcasing playful flirtation and social bonding within the community. The dance is often performed at festive occasions, highlighting cultural heritage and the joy of relationships in Filipino society. Through its vibrant movements and music, Kuratsa embodies the spirit of love and merriment.
When did kuratsa composed?
Kuratsa is a traditional folk dance from the Philippines, particularly popular in the Visayas region. It evolved during the Spanish colonial period, which began in the 16th century, blending indigenous and Spanish influences. While it doesn't have a specific date of composition, kuratsa reflects the cultural fusion of that era and has been performed in various forms since then.
