2 4 TIME DANCE STEPS
NAME OF STEP STEP PATTERN/COUNTING (RHYTHM)
Touch Step Step R sideward , Point L in Front of R
Walk Step R forward, Step L forward
Change Step Step R , Close Step L to R , Step R in
Place
Hop Step Step R sideward , Hop R in place
Close Step Step R sideward , Close Step L to R
Mincing Point L in place, Step R in place , Point L
in place , Step R in place
Bleking Step R. in place , Heel Place L in front
3 4 TIME DANCE STEPS
NAME OF STEP STEP PATTERN/COUNTING (RHYTHM)
Waltz Step R sideward , Close Step L to R, Step
R in place
Cross Waltz Cross Step R over L, Step L sideward L
Step R in place
Waltz Balance Step R forward, Step L close to R and raise
heels, heels down
Waltz turn Step R sideward , Close Step L to R and pivot
turn R , Step R in place
francisca reyes aquino
Ramon Arevalo Obusan LeonorOrosa Goquingco Lucrera Reyes Urtula Francisca Reyes Aquino
dance step of folkdance by francisca reyes aquin
FRANCES REYES - AQUINOFrancesca is her first namefrancisca reyes aquino
The dance researcher of "Binislakan" is Dr. Francisca Reyes-Aquino, a prominent figure in Philippine dance and culture. She is known for her extensive work in documenting and promoting traditional Filipino dances, including "Binislakan," which is a folk dance that showcases the use of bamboo poles. Reyes-Aquino's research has been instrumental in preserving the cultural heritage of the Philippines through dance.
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francisca reyes aquino
Francisca Reyes Aquino has written: 'Fundamental dance steps and music' -- subject(s): Folk dance music, Philippine Folk dancing 'Philippine folk dances' -- subject(s): Dance, Folk dance music, Philippine Folk dance music, Philippine Folk dancing
Ramon Arevalo Obusan LeonorOrosa Goquingco Lucrera Reyes Urtula Francisca Reyes Aquino
dance step of folkdance by francisca reyes aquin
FRANCES REYES - AQUINOFrancesca is her first namefrancisca reyes aquino
The dance researcher of "Binislakan" is Dr. Francisca Reyes-Aquino, a prominent figure in Philippine dance and culture. She is known for her extensive work in documenting and promoting traditional Filipino dances, including "Binislakan," which is a folk dance that showcases the use of bamboo poles. Reyes-Aquino's research has been instrumental in preserving the cultural heritage of the Philippines through dance.
"Rigodon de Honor" is a traditional Filipino dance that showcases the elegance and grace of social gatherings, often performed during formal events. Francisca Reyes Aquino, a prominent figure in Philippine folk dance, is credited with popularizing this dance, highlighting its cultural significance. The dance typically features a series of intricate footwork and patterns, reflecting the rich heritage of Filipino customs and social interactions. Aquino's contributions have helped preserve and promote Filipino folk dances, making them integral to the nation's cultural identity.
Fundamental Dance Steps and Music is a dancing instruction book that was published in 1986. It includes Sangig step, three steps and point, slide step, 34 time, and positions of feet.
Francisca Reyes Aquino is renowned for her contributions to Philippine folk dance and has authored several significant works. Her notable publications include "Philippine Folk Dances," a comprehensive collection documenting traditional dances, and "Philippine National Dances," which helped preserve and promote the country's cultural heritage. Additionally, she played a pivotal role in establishing folk dance as an academic discipline in the Philippines. Her efforts have greatly influenced the appreciation and understanding of Philippine dance traditions.
Francisca Reyes Aquino earned the title "Mother of Philippine Folk Dance" due to her significant contributions to the preservation and promotion of traditional Filipino dances. She dedicated her life to researching, documenting, and revitalizing folk dances across the Philippines, showcasing the rich cultural heritage of various regions. Her pioneering work, particularly in the early 20th century, helped establish folk dance as an essential part of the national identity and cultural education in the country. Through her efforts, Aquino laid the groundwork for future generations to appreciate and continue the practice of Philippine folk dance.
Francisca Reyes Aquino is called the mother of folk dance in the Philippines due to her pioneering efforts in the documentation and preservation of traditional Filipino dances. She conducted extensive research and fieldwork, collecting and systematizing various folk dances from different regions of the country. Her work not only elevated the status of folk dance as an important aspect of Philippine culture but also inspired future generations to appreciate and promote this art form. Additionally, she authored books and served as a key figure in establishing folk dance as a formal discipline in education.