Caravaggio arranges elements for a sense of movement; Poussin arranges elements for a sense of calmness
In Italy French painters Claude Lorrain and Nicolas Poussin, 17th century. In the US 'Hudson River School', 19th century: Asher B Durand, Thomas Cole, JF Kensett, George Inness, Frederick Edwin Church, and others. Here are some painters and paintings that come to mind:Nicolas Poussin, Landscape with St. John on PatmosPuvis de Chavannes, The Sacred Grove, Beloved on the Arts and the MusesJohn Constable, The Hay WainTheodore Rousseahu, The Forest of Fontainebleau, Morning, andAlbert Bierstadt, The Rocky Mountains, Lander's Peak
If you mean the one in Boston: Mars and Venus, of course, five cupids playing with Mars's armour and to the right a river god and goddess. To the left probably a wood nymph (dryad).
The 17th century was a pivotal period for French art, marked by the rise of Baroque and classical styles, heavily influenced by the grandeur of the French monarchy, particularly under Louis XIV. This era saw the establishment of the Académie Royale de Peinture et de Sculpture in 1648, which formalized artistic standards and promoted the idea of art as a vehicle for moral and political messaging. Artists like Nicolas Poussin and Claude Lorrain emphasized rationality, order, and idealized beauty, shaping a distinctly French aesthetic that would influence European art for centuries. The emphasis on grandeur and historical themes reflected the aspirations of the state and the cultural dominance of France in Europe.
What any "neo"-classicism depends on most fundamentally is a consensus about a body of work that has achieved canonicstatus (illustration, below). These are the "classics." Ideally-and neoclassicism is essentially an art of an ideal-an artist, well schooled and comfortably familiar with the canon, does not repeat it in lifeless reproductions, but synthesizes the tradition anew in each work. This sets a high standard, clearly; but though a neoclassical artist who fails to achieve it may create works that are inane, vacuous or even mediocre, gaffes of taste and failures of craftsmanship are not commonly neoclassical failings. Novelty, improvisation, self-expression, and blinding inspiration are not neoclassical virtues. "Make it new" was the modernist credo of the poet Ezra Pound; contrarily, neoclassicism does not seek to re-create art forms from the ground up with each new project. It instead exhibits perfect control of an idiom.Speaking and thinking in English, "neoclassicism" in each art implies a particular canon of "classic" models. Virgil, Raphael, Nicolas Poussin, Haydn. Other cultures have other canons of classics, however, and a recurring strain of neoclassicism appears to be a natural expression of a culture at a certain moment in its career, a culture that is highly self-aware, that is also confident of its own high mainstream tradition, but at the same time feels the need to regain something that has slipped away: Apollonius of Rhodes is a neoclassic writer; Ming ceramics pay homage to Sung celadon porcelains; Italian 15th century humanists learn to write a "Roman" hand we call italic (based on the Carolingian); Neo-Babylonian culture is a neoclassical revival, and in Persia the "classic" religion of Zoroaster, Zoroastrianism, is revived after centuries, to "re-Persianize" a culture that had fallen away from its own classic Achaemenean past. Within the direct Western tradition, the earliest movement motivated by a neoclassical inspiration is a Roman style that was first distinguished by the German art historian Friedrich Hauser (Die Neuattische Reliefs Stuttgart 1889), who identified the style-category he called "Neo-Attic" among sculpture produced in later Hellenistic circles during the last century or so BCE and in Imperial Rome; the corpus that Hauser called "Neo-Attic" consists of bas reliefs molded on decorative vessels and plaques, employing a figural and drapery style that looked for its canon of "classic" models to late 5th and early 4th century Athens and Attica.
Caravaggio arranges elements for a sense of movement; Poussin arranges elements for a sense of calmness.
Poussin arranged natural elements to construct idealized paintings.
Which one? There are a few paintings about Narcissus but the most known are:John William Waterhouse in 1903 painted Echo and Narcissus.There are others by Caravaggio, Dali, Poussin and Turner.Search each painter's name for the sample and see which one is the painting you are asking about.
Nicolas Poussin was a French painter known for his historical and classical themed works. He played a significant role in the development of French Baroque art during the 17th century, and his paintings often showcase themes of landscape, mythology, and religious subjects. Poussin’s works are characterized by their clarity, composition, and attention to detail.
Nicolas Poussin's paintings are characterized by their classical themes, meticulous composition, and a harmonious balance of color and light. He often drew inspiration from mythology and history, using figures and landscapes to convey deep philosophical and moral messages. His works exhibit a sense of order and clarity, reflecting the intellectual ideals of the Baroque period. Overall, Poussin's art embodies a synthesis of emotion and reason, elevating the narrative through a structured aesthetic.
Gérald Poussin was born in 1946.
Nicolas Poussin has written: 'L 'opera completa di Poussin' 'Lettres de Nicolas Poussin' 'Nicolas Poussin (1594-1665)' 'Correspondance de Nicolas Poussin' -- subject(s): Correspondence, Sources, History, Art, Artists 'Nicolas Poussin' 'The flight into Egypt =' 'Many Voices, Many Cultures. Multicultural British Short Stories.' 'Nicolas Poussin, the seven sacraments' 'Les peintres de Nicolas Poussin' 'Lettres et propos sur l'art' -- subject(s): Correspondence, Art, Painters 'Poussin' -- subject(s): Exhibitions, Sacraments in art, Bacchanalia in art 'L'ABCdaire de Poussin' 'Nicolas Poussin, Claude Lorrain'
"Holy Family on the Steps" by Nicolas Poussin depicts the Virgin Mary, the Christ Child, and Saint Joseph in a serene, domestic scene. The composition captures a moment of tenderness and familial devotion, emphasizing the Holy Family's unity and sanctity. The figures are positioned on steps, symbolizing both their earthly existence and spiritual elevation. Poussin's use of classical elements and balanced composition reflects the ideals of Baroque art, merging religious themes with a sense of harmony and order.
Nicolas Poussin was born on June 15, 1594.
Nicolas Poussin was born on June 15, 1594.
Seven Sacraments - Poussin - was created in 1640.
Nicolas Poussin was born on June 15, 1594.