It is completely diatonic. And it is nothing short of a miracle that Beethoven could come up with such an important and memorable line that stays completely within a diatonic fifth, with only an occasional dip to a fourth below the tonic. This refers only to the basic statement of the melody itself. The movement contains a great deal of chromatic richness. How did Beethoven do it? If he were around, he might be able to do it again, and pull out of 5 or 6 simple notes something magnificent that no one else has the wits to uncover.
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The opposite of diatonic in music theory is chromatic.
Treble and bass buttons on diatonic accordions play two different notes on the push/pull of the bellows while treble and bass buttons on chromatic accordions play the same note regerdless of the bellows direction.
beethovenThe "Ode to Joy" is the 4th Movement of Ludwig Van Beethoven's 9th Symphony.
No, it is the last movement of his 9th symphony that includes a setting of Schiller's 'Ode to Joy'.
The guitar chords for "Ode to Joy" are typically G, C, D, and E minor.