A basso continuo section needs at least one instrument able to deliver chords; so keyboard instruments (harpsichord family, organ family) and early Guitars (lutes, theorbos, gitterns) are necessary here. An often neglected basso continuo instrument is the harp (either chromatic or diatonic) - this is a shame.
The work of the chording instrument can be supplemented by other lower register instruments: cello, viola da gamba, bassoon family members.
In most cases of Baroque composition the makeup of the basso continuo group would be left to the performers (and the part itself would be largely improvised).
Basso Continuo, often shortened to just continuo can be the underlying structured music - used many times when, for instance, a Bach cantata is performed - the continuo part is usually played on an organ or other period instrument.
Basso Continuo
Basso continuo is the art of creating an accompaniment from a given bass part. Alberti bass is one form of accompaniment, namely an arpeggio figure that imitates a certain style of guitar plucking. Typically an Alberti bass on the chord of C would go c-g-e-g repeatedly.
It is too simplistic to give a single answer to this question. The answer strongly depends on the time period. At the dawn of the continuo era (approximately 1600), the first continuo players were organists. The organ was the instrument expected to realize the continuo, which was at first designed to support the performance of sacred vocal music. Shortly afterwards, Giulio Caccini published his "Le nuove musiche", in which the theorbo (a kind of large lute) was clearly the intended continuo instrument for this collection of secular love songs. Indications in the score of one of the earliest operas (Claudio Monteverdi's "L'Orfeo" in 1607) show a large and colourful continuo section, consisting of organs, harpsichords, theorbos and harps. Present research strongly suggests that no bass-line reinforcement (such as the cello or viola da gamba) was used in very early 17th-century music that was accompanied by continuo alone. In this time period, the continuo instruments were chord-playing instruments such as lute, guitar, harpsichord, organ and harp. Later in the 17th century, reinforcement of the bass line itself became desirable. This role was filled by both string and wind instruments: the cello, bass viol and violone; and the dulcian, bassoon and sackbut could serve this purpose. By the 18th century it was likely that a combination of a bass-line instrument and a chord-playing instrument was the usual norm, although it was still possible for a single keyboard instrument (harpsichord or organ) to serve satisfactorily. Earlier instruments like the dulcian and sackbut were unlikely to have been used by this point in time.
They're completely different.The violin is a melody instrument that often plays a solo part.The thorough bass is more usually called the "basso continuo," or "continuo" for short. It consists of an instrument, and usually two instruments, that play the bass line and the harmony. The expression is used in baroque music.The continuo is typically a cello or viola da gamba, which plays the bass line, and a harpsichord, which plays the bass line and harmony. The continuo may also be played on a small organ, theorbo, lute, harp, double bass or violone.Thus a Handel sonata for violin will be played by a violin on the solo part, with cello and harpsichord as the continuo group.
Basso Continuo, often shortened to just continuo can be the underlying structured music - used many times when, for instance, a Bach cantata is performed - the continuo part is usually played on an organ or other period instrument.
Basso continuo refers to the accompaniment provided by other instruments in Baroque music. Basso continuo accompanied the melodic line, and was usually played by a keyboard, whether harpsichord or, later, pianoforte; sometimes the cello provided the accompaniment.It was notated as just the bottom line, with the musician expected to fill in the harmony as indicated by the composer in numbers for the chords. Hence, the alternative name for basso continue was "figured bass".Usually the organ or harpsichord part that plays with other instruments for a Cantata.Instrument/s that accompanied the melodic line in Baroque music
Basso Continuo
Basso continuo is the art of creating an accompaniment from a given bass part. Alberti bass is one form of accompaniment, namely an arpeggio figure that imitates a certain style of guitar plucking. Typically an Alberti bass on the chord of C would go c-g-e-g repeatedly.
*Typical baroque music features, lots of frilly ornaments and fancy bits such a trills & turns.* Look at the instruments, your most likely to hear string instruments, wind instruments. The music is often accompanied by the basso continuo. It is usually accompanied in chords and features keyboard instruments (harpsichord What_instrument_would_most_likely_play_the_basso_continuo_in_a_Baroque_musical_piece, organ family) and early guitars (lutes, theorbos, gitterns). The work of the chording instrument can be supplemented by other lower register instruments: cello, viola da gamba, bassoon family members. In most cases of Baroque composition the makeup of the basso continuo group would be left to the performers (and the part itself would be largely improvised).* It is normally whats called homophonic which means melody and accompaniment, so the lower register and the basso continuo play the accompaniment, accompanying the higher instuments which chords.* There are no pianos, trumpets, clarinets and other modern instruments
It is too simplistic to give a single answer to this question. The answer strongly depends on the time period. At the dawn of the continuo era (approximately 1600), the first continuo players were organists. The organ was the instrument expected to realize the continuo, which was at first designed to support the performance of sacred vocal music. Shortly afterwards, Giulio Caccini published his "Le nuove musiche", in which the theorbo (a kind of large lute) was clearly the intended continuo instrument for this collection of secular love songs. Indications in the score of one of the earliest operas (Claudio Monteverdi's "L'Orfeo" in 1607) show a large and colourful continuo section, consisting of organs, harpsichords, theorbos and harps. Present research strongly suggests that no bass-line reinforcement (such as the cello or viola da gamba) was used in very early 17th-century music that was accompanied by continuo alone. In this time period, the continuo instruments were chord-playing instruments such as lute, guitar, harpsichord, organ and harp. Later in the 17th century, reinforcement of the bass line itself became desirable. This role was filled by both string and wind instruments: the cello, bass viol and violone; and the dulcian, bassoon and sackbut could serve this purpose. By the 18th century it was likely that a combination of a bass-line instrument and a chord-playing instrument was the usual norm, although it was still possible for a single keyboard instrument (harpsichord or organ) to serve satisfactorily. Earlier instruments like the dulcian and sackbut were unlikely to have been used by this point in time.
They're completely different.The violin is a melody instrument that often plays a solo part.The thorough bass is more usually called the "basso continuo," or "continuo" for short. It consists of an instrument, and usually two instruments, that play the bass line and the harmony. The expression is used in baroque music.The continuo is typically a cello or viola da gamba, which plays the bass line, and a harpsichord, which plays the bass line and harmony. The continuo may also be played on a small organ, theorbo, lute, harp, double bass or violone.Thus a Handel sonata for violin will be played by a violin on the solo part, with cello and harpsichord as the continuo group.
The bass or lowest part; as, to sing basso., One who sings the lowest part., The double bass, or contrabasso.
A basso is a bass singer, especially in opera, or an instrumental part written for a bass instrument.
The double bass is the lowest part in the string section of a symphony orchestra. It is usually the lowest part in chamber orchestras as well, if there is no double-bass the lowest part will be played by the cellos. (Do not confuse this with a basso-continuo, which is a harpsichord part in Baroque era (1600-1750) music.)
bass continuo, also called figured bass
A drone is part of a bagpipe.