the difference is that a romantic poem will be about love towards people while classical will be more old fashioned and be about other things!!! romantic poems are more towards people in love and great to be read whilst in deep love with another person. idiot... do not listen to that at all.... The romantic era was not about love at all. In fact it had nothing to do with romance of the conventional kind. It was imaginative and more related to democracy and nature than anything else. Had relations to human life, and was highly philosophical. It was most definitely not about love. The Classical age on the other hand was the complete opposite to the romantic age in some respects. It had no real interest in nature as it exists naturally. Satire and realism was present, as well as a strong union with politics. It was highly critical, unimaginative and intellectual as opposed to the spontaneity of the romantic age.
There are many ways in which Beethoven can be seen as both a classical and romantic composer. He is seen as classical in many respects. A quote from Charles Rosen, The Classical style reads "Beethoven enlarged the limits of the classical style beyond the previous conceptions, but never changed its essential structure or abandoned it, as did the composers who followed him. In the other fundamental aspects of his musical language, as well as in the key relations within the single movement, Beethoven may be said to have remained within the classical framework,even while using it in radical and original ways" His symphony no 6, Pastoral, is one of the main pieces that bridges many of the gaps between the classical and romantic era. It is classical in that it is rooted in a tonic-dominant relationship, and includes fugue, cannon and theme and variation. However it can be seen as romantic in that it takes a lot of influence from natural and the natural world. Beethoven was coached and definitely influenced by Haydn, a renowned nature lover for a year. In the Classical period, music did not tend to pertain to this type of influence. The Pastoral symphony however is based largely around nature. It is also programmatic, a distinctive element of romantic writing. By 1808, the time of the pastoral symphony, the romantic movement in poetry was in full swing. Instead of the standard classical 4 movements, the pastoral has 5. The 9th symphony seems to be the main piece of writing that crosses the bridge between the classical and romantic periods, and is seen as the missing link bringing the classical period fully to an end.
Lied
A ghazal is a form of romantic poetry, commonly used in the Middle East, and South and Central Asia.
Romantic music has melodies with tenderness and a quality of longing that match the Romantic quality of poetry that they set. Erlking in particular conjures the images described in the story it captures the strangeness and wonder of Goethe's celebrated balad, whatever is described in the poem is shown through the music, as a result the music follows the narrative and builds us up to the end where the last line "in his arms the child... was dead"
Nature was a common subject of romantic poetry. Longfellow wrote about historical events.
Introduction to the difference between Romantic poetry and classical
One of the problems with defining 'classical' poetry is that the term is used to mean two very different things. All the poetry of the Greeks and Romans is called Classical, but there are not really any common characteristics to such a varied canon of work. The other use of the term 'Classical' is to distinguish the main movement in European writing between the end of Renaissance Humanism and the beginning of the Romantic Movement. These writers are also called Augustans, and in French they run from about Ronsard to about Chateaubriand, in English from probably Dryden to Coleridge. In this sense, Classical writers tend to focus on social issues, where Romantic writers tend to foreground the individual. Pope writes about the literary scene in London (the Dunciad), whereas Wordsworth writes about going for a lonely walk and finding some daffodils. Classical writers tend to overvalue clear and precise thinking (Pope's Essay on Criticism), Romantic writers are more interested in dreamstates (Coleridge' Ancient Mariner). At a formal level, Classical writers favour strict metres (almpst all Dryden's important work is in heroic couplets) where Romantic writers prefer free rhythms (Wordsworth's Ode on the Intimations of Mortality). It is difficult to say exactly what the difference between a Classical and a Romantic writer is, but once you have a feel for the distinction it is easy to make. Much as it is difficult to say what the difference is between a crooner and a rockstar - but Bing Crosby doesn't sound anything like Michael Jackson.
Romantic era poets strayed from classical forms to break free from traditional structure and express emotions more freely. They focused on individual expression, nature, and personal experiences, rejecting the strict conventions of classical poetry. The romantics sought to create a more personal and emotional connection with their readers through their writing.
During the nineteenth century, English poetry was dominated by the Romantic Movement, or Romanticism. Romantic poetry was different from the more classical approach to poetry. The Romantic poets focused on emotional and imaginative experiences rather than intellectual ones. They used "everyday" language and topics. They showed how the lives of common people were extraordinary. Shelley was one of England's greatest Romantic poets.
There are many ways in which Beethoven can be seen as both a classical and romantic composer. He is seen as classical in many respects. A quote from Charles Rosen, The Classical style reads "Beethoven enlarged the limits of the classical style beyond the previous conceptions, but never changed its essential structure or abandoned it, as did the composers who followed him. In the other fundamental aspects of his musical language, as well as in the key relations within the single movement, Beethoven may be said to have remained within the classical framework,even while using it in radical and original ways" His symphony no 6, Pastoral, is one of the main pieces that bridges many of the gaps between the classical and romantic era. It is classical in that it is rooted in a tonic-dominant relationship, and includes fugue, cannon and theme and variation. However it can be seen as romantic in that it takes a lot of influence from natural and the natural world. Beethoven was coached and definitely influenced by Haydn, a renowned nature lover for a year. In the Classical period, music did not tend to pertain to this type of influence. The Pastoral symphony however is based largely around nature. It is also programmatic, a distinctive element of romantic writing. By 1808, the time of the pastoral symphony, the romantic movement in poetry was in full swing. Instead of the standard classical 4 movements, the pastoral has 5. The 9th symphony seems to be the main piece of writing that crosses the bridge between the classical and romantic periods, and is seen as the missing link bringing the classical period fully to an end.
Wordsworth inspired the Romantic movement in poetry, which focused on emphasizing emotions, nature, and the individual imagination. This movement aimed to break away from the strict conventions of Classical poetry and favored a more personal and lyrical style of writing. Wordsworth's emphasis on the beauty and power of nature greatly influenced the Romantic poets who followed him.
One difference that I can see in both of these:-' The Hindi of literature is ' साहित्य' ,, ,, ,, Poetry is 'कविता'
the theme of african poetry is about slavery while asian poetry is about nature
what is the differences between poetry and drama?
At times, the difference between poetry and prose is indistinct. However, prose is generally constructed in sentences and poetry is constructed in stanzas.
haHAHha manigaS KA !!
because