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Iambic pentameter means that you have 10 syllables in a line, made up of five iambs (unstressed-stressed feet)
It is very difficult to identify iambic rhythm in songs as the stress and rhythm are altered by the singer to make it more interesting. This makes for quite complicated rhythms.
Examples:
(1) Johnny Cash, A Boy Named Sue
This is perfect iambic pentameter:
well it was Gatlinburg in midJuly
and I'd just hit town and my throatwas dry
Although Johnny's delivery changes the emphasis on the second line:
well it was Gatlinburg in midJuly
and I'd just hit town and my throat was dry
unstressed-stressed unstressed-stressed unstressed-stressed unstressed-stressed unstressed-stressed/
unstressed-unstressed-stressed, unstressed-stressed, unstressed-unstressed-stressed unstressed-stressed
i.e.
iamb - iamb - iamb - iamb - iamb /
anapest - iamb - anapest - iamb
... however, perfect iambic pentameter will always be lost in delivery - this is a pretty good example of iambic pentameter in music.
(2) Steeler's Wheel, Stuck in the Middle with You:
Written down, this could easily be iambic pentameter:
well I don't know why I came heretonight
I got the feeling that somethingain't right
But, when sung, the rhythm is strongly anapestic:
well I don't know why I came here tonight
(I) got the feeling that something ain't right
unstressed-unstressed-stressed unstressed-unstressed unstressed-stressed unstressed-unstressed-stressed/
unstressed-unstressed-stressed unstressed-unstressed-stressed unstressed-unstressed-stressed
i.e.
anapest - pyrrhic - iamb - anapest
anapest - anapest - anapest
(3) Patti LaBelle, Lady Marmalade
Written down this is trochaic:
Voulez-vous coucher avec moi ce soir?
But when sung it changes slightly:
Voulez-vous coucher a-vecmoi, ce soir?
trochee - trochee - trochee - spondee - spondee
(4) Queens of the Stone Age, Lost Art of Keeping a Secret
This is a little more complicated:
"whatever you do, don't tell any one"
unstressed-stressed-unstressed unstressed-stressed/
unstressed-stressed-unstressed unstressed-stressed
i.e.
amphibrach-iamb / amphibrach-iamb
However, when sung by QOTSA, you have:
What ever you doooo, don't tell any one
stressed - unstressed - unstressed - unstressed - stressed/
stressed - unstressed - unstressed - unstressed - stressed
So, when sung, you could describe this as:
trochee - anapest / trochee - anapest
OR (perhaps more accurately)
headless iamb - pyrrhic - iamb
headless iamb - pyrrhic - iamb
Iambic pentameter is the use of 5 pairs of syllables, where the second syllable in each pair receives the stress. Possibly the most famous iambic pentameter by an English writer is that of William Shakespeare. When writing in verse in his plays, he almost exclusively uses iambic pentameter (strict pentameter is sometimes broken for pragmatic or stylistic reasons).
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Start with Act 1 Scene 2. Such lines as "Say to the king the knowledge of the broil", "For brave Macbeth (well he deserves that name)" or "So well thy words become thee as thy wounds" are perfect iambic pentameter. Many lines are imperfect for some reason or other (too many or too few syllables, trochees changed for iambs, feminine endings etc.) but the rhythm as a whole is iambic. You can do the same with scene 3 or indeed scenes 4 to 7--they are full of iambic pentameter. Watch out for the witches, though, because they usually speak four feet to the line.
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In 1573, as part of his new religious reforms (because he had just become Pope in 1572) Pope Gregory XIII instituted the Catholic practice that all secular poetry was required to be written in iambic pentameter in order to encourage primarily religious work. By the time William Shakespeare was of age to begin seriously writing poetry, it had become common practice to use primarily iambic pentameter in any work worthy of reading. Because of this, he adopted the practice of writing in iambic pentameter. Interestingly, the pattern of stressed and unstressed syllables in iambic pentameter mirrors the way most people naturally speak. This writing pattern, embraced by Shakespeare, makes the Old English verse sound more conversational, and more familiar to modern listeners.
