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How does a distortion pedal work?

Updated: 8/30/2023
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Zackclark369

Lvl 1
13y ago

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Accoustic Guitars work because when you pluck a string, it vibrates. All sound comes from vibrations, for example your voice box vibrates when you talk.So by plucking a string, you make the string vibrate, causing the sound. The hollow body of the guitar increases the volume of this sound. Electric guitars work by having metal strings and pickups. Pickups are magnets with wire wrapped around them. When the string above is struck, it vibrates, causing a change in the magnet's magnetic field (as the magnet is attracting the string). The moving magnetic field (changin according to the amplitude and frequency of the string vibrations) induces a current in the wire wrapped around it, which is the signal sent out from the guitar to the amplifier.
The guitaris a string instrument which is played by plucking the strings. The main parts of a guitar are the body, the fretboard, the headstock and the strings. Guitars are usually made from wood or plastic. Their strings are made of steel or nylon.

The guitar strings are plucked with the fingers and fingernails of the right hand (or left hand, for left handed players), or a small pick made of thin plastic. This type of pick is called a "plectrum" or guitar pick. The left hand holds the neck of the guitar while the fingers pluck the strings. Different finger positions on the fretboard make different notes.

There have been instruments like the guitar for at least 5,000 years. The guitar may have come from older instruments known as the Sitara from ancient India and Central Asia. The oldest known picture of a guitar-like instrument is a 3300 year old stone carving of a Hittite bard.

So this is how a guitar is used or worked around the world..

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12y ago
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17y ago

An effects pedal, or stomp box, is an effects unit housed in a small metal chassis, used by musicians, usually Electric Guitar players as a guitar effects pedal, but sometimes players of other instruments including keyboards, violin, or cello. These devices alter the sound quality or timbre of the input signal, adding effects such as distortion, fuzz, overdrive, chorus, reverb, wah-wah, flanging, or phaser. They are called pedals or stomp boxes because they sit on the floor and have large on/off switches on top that are activated by foot. Some, such as wah-wah or volume pedals, are also manipulated while in operation by moving a large foot-activated potentiometer. Guitar effects pedals A guitar effects pedal is connected into a signal chain using two 2-conductor instrument cables with 1/4" jack plugs (or "phone plugs"). The Input jack is usually on the right side, and Output on the left; thus the signal path for a chain of pedals is usually right-to-left. Some effects pedals have stereo out via two mono out signals, and a few have stereo input jacks as well as stereo output jacks. Several pedals can be linked together in a chain. An effects chain can be placed between the guitar and the guitar amplifier's preamp section, within the guitar amplifier's effects loop, after a guitar amplifier's Direct Inject line-level tap jack, after a dummy load attached to the guitar amplifier's output jack, or at the mixing board to process the miked guitar-speaker signal. When a pedal is off or inactive, the signal coming in to the pedal is shunted onto a bypass, so that the "dry" or unaffected signal can go on to other effects down the chain, and thus any combination of effects on a chain can be created without having to reconnect boxes during a performance. True Bypass amounts to an isolated wire passing straight through the effects pedal, as opposed to buffered bypass, which can cause loss of treble, depending on the circuit. The instrument signal can be routed through the stomp boxes in any combination, but to shape and preserve the clarity of the basic distortion tone, it is most common to put wah and overdrive pedals at the start of the chain; pedals which alter the pitch or color of the tone in the middle; and boxes which modify the resonance, such as flanging, delay (echo) and reverb units at the end. EQ, auto-wah, phaser, and vibe effects fit naturally at any position without introducing intermodulation distortion, while the emphatically time-based effects can sound unnatural and chaotic if placed early in the chain. Effects pedals can be used together with other effects units and a guitar amplifier's built-in effects. Guitar amp footpedals Some guitar amplifiers have built-in effects such as Reverb and Tremolo and a switching pedal that turns the effects on or off. Channel switching between clean and distorted channels of a guitar amplifier's built-in preamp is also done with a switching pedal. Pedals other than guitar effects pedals The right pedal on this Yamaha Electone is the volume pedal, which incorporates toe switches that allow the performer to achieve various effects; the left pedal is purely an effects pedal that may be programed to achieve many different effects. Many other musical instruments, among them the piano, pipe organ, drums, and harp, also make use of pedals to achieve tonal, dynamic, or other effects. The piano's sustain pedal is one well-known example. Pipe organs have one or more expression pedals and sometimes a crescendo pedal, which the organist can use to achieve dynamic (or "expressive") changes. Strictly speaking, however, these are neither considered nor called effects pedals. One major exception appears on modern electronic organs and synthesizers, which usually include a volume pedal similar to that of a guitar (indeed, the electronic organ and not the guitar pioneered this pedal), and some advanced models also include an additional effects pedal that may be programmed to serve several of the functions described in the preceding section. Their operation of each is similar to those on guitars; the organist places an entire foot on the pedal and, while playing, gently pumps up and down with heel and toe pressure to achieve the desired effects. Because the organist is usually seated and thus has better balance than the guitarist, the pedals are designed to have a wider range of motion. The organist can thus bring about more pronounced changes than the guitarist with only slight changes in foot pressure, giving a greater level of control than the guitarist. Some pedals also have switches on the end that enable still other effects by "scrunching" the toes to the left or right on the pedal, either in isolation or while pumping the pedal up and down, leading to far more flexibility than most guitar pedals.

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16y ago

It gives it different sound effects, like giving it 'wah' sound or a heavy metal effect etc. There's hundreds of different effects. If you buying one, make sure you get one with effects you will play with, not ones you think are cool but you will ultimately get bored with. Unless you have money to burn

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10y ago

The strings are tightened with 120lbs of pressure across from the lowest to highest string in standard tuning to achieve the proper notes. So this will give them the correct vibration.

Now that our guitar is in tune and the strings are vibrating here's what happens on an electric guitar there's all kinds of electronics in it but most notably the pickups. They are like the ear to the guitar that is why they are right under the strings. When there is electricity flowing through the guitars wires the pickups "pick up" on the vibrations and send them outside the guitar and into an amplifier.

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13y ago

Distortion works by clipping the ends off the wave form or signal.

If a smooth sine wave is sent through a clipping distortion unit, the peaks of the sine wave are cut off and made flat; this create a more square looking wave form and square waveforms have a harsher timbre or quality to them.

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10y ago

Guitar pedals are small electrical devices that will alter your guitar's sound. Traditional Guitar pedals produce effects such as wah-wah, delay tremolo, chorus, flanger, distortion and fuzz .

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In what order should I place my zoom multi-effects pedal and my Boss Distortion pedal on stage to produce the best sound?

Distortion before the zoom. Unless you want to use just the compressor and noise reduction from zoom then to distortion pedal, but then any modulation effects will sound weird.


Does the Boss DS-1 pedal work good with a Peavy amp?

The Boss DS-1 Distortion Pedal is an all-around good piece of equipment. Although it is on the inexpensive side, it still produces a solid tone that can be dialed-in with your amp to get everything from a lightly crunchy overdrive to a higher-gain distortion. Kurt Cobain and many others have used the orange pedal as an additional overdrive box to supplement their amplifier distortion. It will work as well with a Peavey amp as it will with anything. What it really comes down to is your own taste. As with any pedal, it will combine its own tones with the amp's sound to produce the final distortion tone. Either way, it's a good pedal (especially for the price) and it's worth experimenting with.


What kind of distortion pedal did jimmy page use?

boss metalzone


Do you need a distortion pedal for a line 6 spider 4 15?

The Spider IV does already include several decent distortion sounds


What effect pedal do you use for smells like teen spirit?

Well, the intro is obviously clean sound, then verse a little bit grunge-like sound and in the solo probably chorus/flanger. This is mostly correct. You will need a distortion pedal (if your amp has distortion, that will work but the correct pedal would be a Boss DS-1), a chorus pedal (any chorus will work but the pedal used in the recording is a Electro Harmonix Small Clone) and some kind of compression/sustainer. The comp pedal isn't required...most people get by without it when they cover the song. But a compression effect is used in the recording. The first part of the intro is clean, the second is distorted. Use the chorus for the verses and the prechorus, then switch it off and go back to the distortion for the chorus and preverse. Use all the effects for the solo.

Related questions

Who invented the first distortion pedal?

Roger Mayer invented the fuzz box, the earliest form of distortion pedal.


How do you get good guitar distortion?

Use a Korg, Ibanez distortion pedal, or use a processor.


What distortion pedal should you get to sound more like Panic at the Disco?

The problem is not in the distortion pedal but rather in the fact that you want to sound like Panic at the Disco.


In what order should I place my zoom multi-effects pedal and my Boss Distortion pedal on stage to produce the best sound?

Distortion before the zoom. Unless you want to use just the compressor and noise reduction from zoom then to distortion pedal, but then any modulation effects will sound weird.


What is a boss ds 1 distortion pedal and hat is it used for?

A Boss DS 1 Distortion pedal is used in a guitar to produce unique sounds. It is used to change guitar sounds to a make a unique rock and roll distortion.


Does the Boss DS-1 pedal work good with a Peavy amp?

The Boss DS-1 Distortion Pedal is an all-around good piece of equipment. Although it is on the inexpensive side, it still produces a solid tone that can be dialed-in with your amp to get everything from a lightly crunchy overdrive to a higher-gain distortion. Kurt Cobain and many others have used the orange pedal as an additional overdrive box to supplement their amplifier distortion. It will work as well with a Peavey amp as it will with anything. What it really comes down to is your own taste. As with any pedal, it will combine its own tones with the amp's sound to produce the final distortion tone. Either way, it's a good pedal (especially for the price) and it's worth experimenting with.


What kind of distortion pedal did jimmy page use?

boss metalzone


What is the two most important guitar pedal effects that that should always be in the pedal board?

I would say a Wah Wah pedal and some type of distortion.


Do you need a distortion pedal for a line 6 spider 4 15?

The Spider IV does already include several decent distortion sounds


What is a pedal for a guitar used for?

To change the sound, For instance an overdrive pedal boosts the sound making it louder and clearer, where as a distortion pedal makes it louder but less clear.


What effect pedal do you use for smells like teen spirit?

Well, the intro is obviously clean sound, then verse a little bit grunge-like sound and in the solo probably chorus/flanger. This is mostly correct. You will need a distortion pedal (if your amp has distortion, that will work but the correct pedal would be a Boss DS-1), a chorus pedal (any chorus will work but the pedal used in the recording is a Electro Harmonix Small Clone) and some kind of compression/sustainer. The comp pedal isn't required...most people get by without it when they cover the song. But a compression effect is used in the recording. The first part of the intro is clean, the second is distorted. Use the chorus for the verses and the prechorus, then switch it off and go back to the distortion for the chorus and preverse. Use all the effects for the solo.


What is a good guitar pedal to get a good metal sound with an echo super heavy distortion and a long lasting sound?

A digital distortion pedal will sound better with analog delay than an analog distortion one because of too much warms added to the sound making it mushy and not crunchy enough. A sustain pedal adds a long lasting sound by squeezing down the sound and adding further crunch to your notes/cords. Distortion pedals: digitech, boss and danelectro make good metal type pedals. stay away from fuzz or "big muff" type pedals. any analog delay pedal: boss or cheap pedal will work. compresssor/sustain pedal: boss, frantone, alesis, sqeezer, miranda. you want more of a hard-knee type that is more extreme, not like electro harmonix or bbe. spend money on this!!