The Chorus: an unspecified number of Canterbury's women, is a corporate character serving the same purposes as does the chorus in Greek drama: to develop and, more importantly, to comment on the action of the play. The women's initial speech fairly defines their dramaturgic role: "We are forced to bear witness." And yet this chorus, like its ancient Greek predecessors, is no mere, dispassionate, objective "eyewitness"; rather, it is a witness bearing testimony to truth-almost as in a legal proceeding, but that analogy fails to capture the nature of the testimony the chorus offers. In commenting upon the action of Thomas Becket's murder, the women are voicing insights into, reflections on, and conclusions about time, destiny, and life and death. In the end, they emerge as representatives of ordinary people-such as those who make up the audience of the play, or its readership-people who, mired in and having settled for an existence of "living and partly living," are unable to greet transcendence when it is offered to them. As they state in the play's final moments, not everyone can bear the "loneliness. surrender. deprivation" necessary to become a saint. Not all can be saints-but all can pray for their intercession.
The fact that The Chorus feel fear and terror as they realise they are linked to Thomas' death, and it will be a part of them forever.
It takes place in the main hall of the Canterbury Cathedral. Though during different dates.
T.S. Eliot, Murder in the Cathedral.
Interact directly with non-chorus characters is what the chorus leader can do that the other chorus members cannot do in ancient Greek theater.Specifically, the chorus is made up of respected, wise elders. Its members instruct the audience by explaining offstage and past events as well as onstage happenings. They entertain by dancing and singing across the stage. But they cannot interact directly with characters outside the chorus. Only the chorus leader can interact with both chorus and non-chorus members in the play.
Well, basically, this is not an easy question to answer. In essence, the whole play is made up of verses manifested especially in Becket and Chorus' speech, hence, this greatly enhances the richness of the language in the play. There are of course exceptions, as seen in the speech made by the 4 knights in prose. It's actually quite complicated if you really bother to analyse it.
The fact that The Chorus feel fear and terror as they realise they are linked to Thomas' death, and it will be a part of them forever.
Murder in the Cathedral is a verse drama by T. S. Eliot
Murder in the Cathedral - 1951 is rated/received certificates of: USA:Approved USA:Passed (National Board of Review)
T.S. Eliot's "Murder in the Cathedral" has been praised for its poetic language, exploration of themes like martyrdom, and its deep religious and philosophical undertones. Critics have also discussed the play's depiction of the conflict between spiritual and secular power, as well as the complexity of its characters, particularly Thomas Becket. The play's structure, use of chorus, and dramatic tension have also been subjects of critical analysis.
because they were dumyyyyys
The murder of Thomas Becket took place at Canterbury Cathedral in Canterbury, England. It occurred on December 29, 1170.
It takes place in the main hall of the Canterbury Cathedral. Though during different dates.
Murder in the Cathedral - 1951 was released on: Italy: 1951 (Venice Film Festival) UK: March 1952 USA: 25 March 1952
T.S. Eliot, Murder in the Cathedral.
The cast of Murder in the Cathedral - 1962 includes: Barbara Brandon Moira Carleton Syd Conabere Keith Eden Patricia Kennedy Wyn Roberts
He wrote one play called Murder in the Cathedral about the murder of Thomas Becket.
many . first one murder in the cathedral