married, but torvald treats nora like a pretty young child, not like a spouse and partner in life
Nora tells Torvald to go away after the party because she feels like Torvald has treated her badly. She wants to leave Torvald and her children.
Torvald treats Nora like she is his personal doll. The children represent Nora's childlike role in her relationship with Torvald. Just as she fusses over and plays with her children, Torvald plays with her.
to save her husband Torvald Helmer
He doesn't like it when Nora spends money on things they don't need.
A Doll's House traces the awakening of Nora Helmer from her previously unexamined life of domestic, wifely comfort. Having been ruled her whole life by either her father or her husband Torvalds, Nora finally comes to question the foundation of everything she has believed in once her marriage is put to the test. The reasons why Nora leaves the doll house is because
Nora tells Torvald to go away after the party because she feels like Torvald has treated her badly. She wants to leave Torvald and her children.
Torvald treats Nora like she is his personal doll. The children represent Nora's childlike role in her relationship with Torvald. Just as she fusses over and plays with her children, Torvald plays with her.
to save her husband Torvald Helmer
He doesn't like it when Nora spends money on things they don't need.
Torvald reacts with concern and disbelief upon hearing Nora's news about Dr. Rank's imminent death. He is primarily focused on how this news affects his own life and social standing, rather than expressing empathy for Nora's feelings. His response highlights his self-centered nature and a lack of understanding of the emotional impact the situation has on Nora, revealing the dynamics of their relationship. Ultimately, Torvald's reaction underscores his inability to engage with deeper emotional realities.
In A Doll's House, Dr. Rank is a friend of Torvald Helmer who comes to the house every day to visit him, and also see Torvald's wife Nora. When he confesses his love for Nora to her, it becomes a means of contrasting the way he loves her wholly, for who she is, with the way Torvald loves only her beauty and helplessness. Thus, Dr. Rank is somewhat of a character foil for Torvald. This also provides a contrast between appearance - Dr. Rank as a close family friend - and reality - Dr. Rank as a secret admirer of Nora - which is a recurring idea in the play. Dr. Rank also suffers from "tuberculosis of the spine" (most commonly thought to be syphyllis), which was passed down to him by his father. Thus, he is suffering because of the actions of others and can not escape events from the past, mirroring the way events in Krogstad's past are unescapable for him, and the way each character in the play suffers in some way because of the actions of another. Dr. Rank's deteriorating health throughout the play also parallels the deteriorating marriage between Torvald and Nora, and his will to seclude himself while dying to avoid having anyone see him at his worst and weakest parallels Torvald's desperation to keep up the appearance of a happy marriage even when he realizes how much Nora's actions have cost him. The life and death of Dr. Rank mirror many of the social and interpersonal situations in the play, and the contrast between his character and Torvald's help to develop Torvald's character, and by extension, Nora's. Dr. Rank also serves as a way to show what kind of characters Torvals and Nora are. After the death of Dr. Rank he becomes a distant memory in their life.
Torvald banning his wife Nora from eating macaroons, instructing her how do dress, shows that he regards her as a plaything or a pet rather than an independent person. These attitudes suggest the baldly sexual nature of Torvald's marriage. Nora recognizes her position and finds her role repulsive as well as humiliating, and later rebels.
Torvald dislikes Krogstad primarily because he views him as morally dubious and untrustworthy. Krogstad's past actions, including his forgery and attempts to manipulate others for personal gain, clash with Torvald's values of integrity and respectability. Additionally, Torvald is concerned about Krogstad's influence over his wife, Nora, and fears that Krogstad's presence could jeopardize his social standing and reputation.
In "A Doll's House," Torvald's call to Nora's marriage can be described as patronizing and controlling. He often refers to her with diminutive terms, emphasizing his view of her as a child or possession rather than an equal partner. This dynamic highlights the gender inequalities of the time and serves to illustrate Nora's eventual awakening to her own identity and desires beyond her role as Torvald's wife. Ultimately, their marriage is rooted in illusion and power imbalances, which Nora seeks to escape.
A Doll's House traces the awakening of Nora Helmer from her previously unexamined life of domestic, wifely comfort. Having been ruled her whole life by either her father or her husband Torvalds, Nora finally comes to question the foundation of everything she has believed in once her marriage is put to the test. The reasons why Nora leaves the doll house is because
Nora borrowed money in the past in order to finance a trip to Italy to help her husband, Torvald, who was sick. She did this without his knowledge, resorting to forgery to secure the loan.
In A Doll's House, Dr. Rank is a friend of Torvald Helmer who comes to the house every day to visit him, and also see Torvald's wife Nora. When he confesses his love for Nora to her, it becomes a means of contrasting the way he loves her wholly, for who she is, with the way Torvald loves only her beauty and helplessness. Thus, Dr. Rank is somewhat of a character foil for Torvald. This also provides a contrast between appearance - Dr. Rank as a close family friend - and reality - Dr. Rank as a secret admirer of Nora - which is a recurring idea in the play. Dr. Rank also suffers from "tuberculosis of the spine" (most commonly thought to be syphyllis), which was passed down to him by his father. Thus, he is suffering because of the actions of others and can not escape events from the past, mirroring the way events in Krogstad's past are unescapable for him, and the way each character in the play suffers in some way because of the actions of another. Dr. Rank's deteriorating health throughout the play also parallels the deteriorating marriage between Torvald and Nora, and his will to seclude himself while dying to avoid having anyone see him at his worst and weakest parallels Torvald's desperation to keep up the appearance of a happy marriage even when he realizes how much Nora's actions have cost him. The life and death of Dr. Rank mirror many of the social and interpersonal situations in the play, and the contrast between his character and Torvald's help to develop Torvald's character, and by extension, Nora's. Dr. Rank also serves as a way to show what kind of characters Torvals and Nora are. After the death of Dr. Rank he becomes a distant memory in their life.