Everybody eats and everyone has a story to tell. With Eat Your Words I wanted to create an evening that gives folks that feeling of community -- that moment where you take a break in your day and just sit around the kitchen table, sharing stories over some great food and a bottle of wine. Eat Your Words provides an opportunity for Los Angeles audiences to meet some of their favorite performers, storytellers and local chefs on a personal level. People can find out more here.
Everybody's stories are worth sharing, as well as my own, that's how we connect as people. I know you through the story you tell, both what's spoken and unspoken.
To be quite honest, it's helped if anything... I am walking very very slowly all the way to the bank. Seriously though, there are times when those qualities have gotten in my way professionally, but there are just as many times were those things have helped pique people's interest. I remember one time I was at an Animal Collective show at the Brooklyn Bowl. I was standing outside the VIP gate behind this cute semi-drunk blonde girl. The security guy scanned her up and down, let her in and closed the gate. He waited a beat, looked at me and then opened the gate and let me in. The girl turns to me with some recognition flooding in and says, "Oh my god, having crutches is just like having amazing tits!" Then she toasted me with her plastic cup exclaiming to the others outside the gate, "We're VIP bitches!!"
I had a great romance with the radio as a kid and I loved disc jockeys. I wanted to be a DJ on the radio when I grew up. There was something magic about their voice just coming out of this small box right into my bedroom at night. I was fascinated with who that voice on the radio was, what they looked like, and I romanticized who they were. I kind of had crushes on them a little bit. It wasn't until I heard myself telling a story on NPR a few years ago that I realized that in some ways my childhood dream actually came true... I had forgotten about it. I got an email from a guy who heard one of my stories on-air and he said, "I've never met you and I've never written a letter to anyone like this before. I'm fourteen years old and I have been really depressed and on a lot of medication. I heard your story on the radio this afternoon and it made me feel good enough to get up out of bed." Ironically, the day that I get his email, I'm feeling a little depressed myself and him reaching out made me feel good. It's pretty powerful, because that guy in Oklahoma might never come to a theater where I'm at, might not ever see a TV show that I'm in or a film that I've done, but here's the radio and it floats right into your room for free. The radio brought my story full circle and helped both of us.
It's been such an honor to direct and work with Hasan Minhaj on his live solo show Sakoon. The show utilizes an innovative mix of storytelling, theater, stand-up and multimedia visual platforms. Hasan aims to reinvent the traditional one-hour comedy special. He is such a fearless, deeply funny, smart, compassionate performer and writer. You can currently see him absolutely crushing it on The Daily Show on Comedy Central.
Much of the work I've created before have been my own stories and solo shows which have toured internationally and around the country. I've also produced and hosted many successful long-running live variety shows in both New York and Los Angeles. Directing is a very specific thing. For me, directing or curating an artist or writer's work isn't about coming from a place of 'improving it' or 'beefing it up,' it's about being a witness and holding space for that person to discover exactly what it is they want to express. It's a conversation where you are mostly listening. It's an intense practice in receptivity and consideration. It's a pretty heavy thing to be entrusted with somebody else's personal stories - their life up to this point. It's been amazing and humbling to take that journey with Hasan. The show is absolutely going to rock!
I am a very come as you are, take what you need kind of guy. At the core of it, I just want everybody to be entertained and have a great time, forget about life for awhile, laugh and be taken on a ride. If you get something else out of it, that's gravy.
I've been performing live for years. There has certainly been an ebb and flow to nerves, it comes and goes here and there, but nothing too bad. To be honest I find performing in front of ten people much more intimidating than performing for a thousand. Nerves are part of it though, it's the energy that revs you up and gets you going, so I try to embrace it and use it.
Their dedication to the art and craft of storytelling has been unwavering for many years. They have brought some of the most compelling stories and storytellers to the cultural landscape.
Greg Joseph goes by Grego, Joe, Duff, and Brass.
Greg Karas's birth name is Greg Teramoto.
Greg Cruttwell is 6' 3".
Greg Mathew's birth name is Greg Logan Matthews.
Greg Maddux is 6'.
Greg Walloch's birth name is Gregory Alan Walloch.
Greg Walloch is 5' 8".
Greg Walloch was born on July 8, 1970, in San Bernardino, California, USA.
Greg Walloch has: Played himself in "Howard Stern" in 1994. Performed in "Neurosia - 50 Jahre pervers" in 1995. Played himself in "The Howard Stern Radio Show" in 1998. Played himself in "Keeping It Real: The Adventures of Greg Walloch" in 2001. Played himself in "The Moth" in 2002. Played Winston in "Steam Cloud Rising" in 2004.
Sasha Walloch is 5' 3".
Sasha Walloch was born on July 11, 1981, in Tulsa, Oklahoma, USA.
Karl-H Walloch has written: 'Die Elbchaussee' -- subject(s): Description and travel, History, Social life and customs, Streets
The cast of The Moth - 2002 includes: Reno George Dawes Green Griffin Dunne Paul Francis Sullivan as Himself (2002) Tony Hendra Bill Irwin Doug Liman Michaela Murphy Cate Smit Fisher Stevens Greg Walloch as himself
Carlo Castronovo has: Played The Man in "Beverly Hills, 90210" in 1990. Played Club Goer in "Charmed" in 1998. Played Willis in "Charmed" in 1998. Played Restaurant patron 4 in "Keeping It Real: The Adventures of Greg Walloch" in 2001. Performed in "For the Want of a Nail" in 2011.
What was Greg’s biggest problem with the Abigail situation
In the book the doorbell rings and Greg answers it to find Rowley who offers Greg cookies, Greg gets confused cause he thinks the power is out. But it turns out Manny had gone to the circuit breaker to turn the houses power off besides his Bedroom during the snow storm.
First he called Rowely to come and get him. Rowely shows up but gets caught and locked down there aswell. Then Rodrick answers the phone and its his mum. He tells her greg is sleeping but Greg interrupts and tells his mum that he is down in the basement and that Rodrick should go and get him. Rodrick goes and unlocks the door to let them out :)