What is the main idea in the movie Bladerunner?

Answer 1

This answer is directly related to Bladerunner and will not refer to the Novel "Do Androids Dream of Electric Sheep" by Phillip K. Dick. It is a literate Science Fiction film, thematically enfolding the philosophy of religion and moral implications of human mastery of genetic engineering in the context of classical Greek drama and hubris, and draws on Biblical images, such as Noah's flood, and literary sources, such as Frankenstein. Linguistically, the theme of mortality is subtly reiterated in the chess game between Roy and Tyrell based on the famous Immortal game of 1851, though Scott has said that was coincidental. Blade Runner delves into the implications of technology on the environment and society by reaching to the past, using literature, religious symbolism, classical dramatic themes, and film noir. This tension, among past, present, and future is seen in the retrofitted future of Blade Runner, which is high-tech and gleaming in places but elsewhere decayed and old. Interviewing Ridley Scott in 2002, reporter Lynn Barber in The Observer described the film as: "extremely dark, both literally and metaphorically, with an oddly masochistic feel". Director Scott said he "liked the idea of exploring pain" in the wake of his brother's skin cancer death. "When he was ill, I used to go and visit him in London, and that was really traumatic for me." A perceptively high level of paranoia exists in the cinematic manifestation of corporate power, omnipresent police, probing lights, and in the power over the individual - especially represented by genetic programming of replicants. Control over the environment is large scale, hand in hand with the absence of any natural life, and with artificial animals substituting for the extinct originals. This oppressive backdrop clarifies why people are migrating to off-world colonies. The film also makes extensive use of eyes for a variety of themes and manipulated images to call into question reality and our ability to accurately perceive and remember it. These thematic elements provide an atmosphere of uncertainty for Blade Runner's central theme of examining humanity. In order to discover replicants, an empathy test is used with a number of questions focused on the treatment of animals, thus making it the essential indicator of someone's "humanity". The replicants are juxtaposed with human characters who lack empathy, while the replicants appear to show compassion and concern for one another at the same time as the mass of humanity on the streets is cold and impersonal. The film goes so far as to put in doubt whether Deckard is a replicant and forces the audience to reevaluate what it means to be human. The question of whether Deckard is intended to be a human or a replicant has been an ongoing controversy since the film's release. Both Michael Deeley and Harrison Ford wanted Deckard to be human while Hampton Fancher preferred ambiguity. Ridley Scott has confirmed that in his vision Deckard is a replicant. A unicorn sequence inserted into the Director's Cut and Gaff's parting-gift of an origami unicorn are interpreted by some critics as indicating that Deckard is a replicant, and Gaff knows this because he knows Deckard's thoughts. The interpretation that Deckard is a replicant is challenged by others who believe unicorn imagery shows that the characters, whether human or replicant, share the same dreams and recognise their affinity, or that the absence of a decisive answer is crucial to the film's main theme. The inherent ambiguity and uncertainty of the film, as well as its textual richness, has permitted viewers to appropriate it to support their own speculations and interpretations.

Answer 2

Deckard arrives at Sebastian's apartment and is ambushed by Pris. Deckard manages to grab his gun and retires Pris, just as Roy returns. Roy is horrified at her death. Angrily, Roy traps Deckard in the apartment, hunting him through the dilapidated Bradbury Building and eventually forcing him to the roof. The symptoms of Roy's limited lifespan worsen and his right hand begins to cramp, so he jabs a nail through it to regain control. As Deckard attempts to escape Roy, he leaps across to another building but falls short and ends up hanging from a rain-slicked beam. Roy easily vaults the same distance and is left standing above his struggling opponent. As Deckard loses his grip, Roy seizes his arm and hauls him onto the roof, saving Deckard. As Roy's life fades away, he calmly sits and delivers a soliloquy about the experiences of his life:

I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain... Time to die.

Roy dies peacefully. Deckard is left reflecting when Gaff, who arrives after the duel, calls from a distance, "It's too bad she won't live; but then again, who does?" A worried Deckard returns to his apartment and is relieved to find Rachael alive. As they leave, Deckard finds an origami unicorn, a calling card left by Gaff. Depending on the version, the film ends with Deckard and Rachael either leaving the apartment block to an uncertain future or driving through an idyllic pastoral landscape.

Answer 3

IMDb's Plot Summary: "A young programmer is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a breath-taking humanoid A.I."