What is the conflict of the movie of every child is special?

Answer 1

The husband and wife team of Amole Gupte and Deepa Bhatia developed the story that would eventually become Taare Zameen Par as a way of understanding why some children cannot conform to a conventional educational system. Their initial work began as a short story that evolved into a screenplay over seven years. Deepa Bhatia later stated in an interview with The Hindu that her original inspiration was not dyslexia but rather the childhood of Japanese filmmaker Akira Kurosawa, who performed poorly in school. Her goal was thus to explore the story of "a child who did not fit into the school stream." She referenced a specific moment in Kurosawa's biography where he began to excel after meeting an attentive art teacher, and noted that this scene "became the inspiration for how a teacher could transform the life of a student".

In developing the character of a young boy based on Kurosawa, Bhatia and Gupte explored some possible reasons why he failed in school. Their research led them to groups such as the Maharashtra Dyslexia Association and Parents for a Better Curriculum for the Child (PACE). Dyslexia eventually became the central topic and theme of the film. The pair worked with dyslexic children to research and develop the screenplay, basing characters and situations on their observations. Bhatia and Gupte carefully concealed the children's identities in the final version of the script.[6]

"While Amole has written what I think is a brilliant and moving script, his contribution towards the film is not limited to that of a writer. The entire pre-production was done by him including the most important task of creating the music ... he has been present on set throughout the shooting as the Creative Director, and has been a big support and strong guiding force in my debut as a director. I thank him for that, and more so for having the faith in me by entrusting to me something that is so close to him."

Khan and Gupte first met in college. Khan has said that he admired Gupte's abilities as an actor, writer, and painter. Three years before the film's release Gupte brought Khan to the project as a producer and actor. Gupte himself was to direct,[12] but the first week'sdailies were a great disappointment to Khan, who "lost faith in Amol and his capability of translating on screen what he had so beautifully written on paper".[13] Khan was on the verge of withdrawing his participation in the film because of these "creative differences",[13][14] but Gupte kept him onboard by stepping down as director. Had it been necessary to hire a third party, production would have been postponed for 6-8 months as the new director prepared for the film. Keen to keep Safary as Ishaan-the actor might have aged too much for the part had production been delayed-Khan took over the role of director.[13] Taare Zameen Par was Khan's first experience in the dual role of actor and director. He has admitted that the transition was challenging, stating that while he had always wanted to direct a film, it was unknown territory for him.[15] Gupte remained on set, "guiding [Khan] and, at times, even correcting [him]".[13] Title and translationInitially the film was to retain the short story's title of "High Jump", because of Ishaan's inability to achieve the high jump in gym class. This subplot-filmed but later cut-tied into the original ending for the movie. In this rendition, a "ghost image" separates from Ishaan after the art competition and runs to the sports field; the film would end on a freeze frame of Ishaan successfully making the leap. Khan, however, was unhappy with that proposed ending and convinced Gupte to rewrite it.

With the working title no longer relevant,[16] Khan, Gupte, and Bhatia discussed several alternatives,[17] eventually deciding on Taare Zameen Par. Possible translations of this title include Stars on the Ground[18] and Stars on Earth.[19] According to Khan: Taare Zameen Par is a film about children and it is a film which celebrates the abilities of children. Taare Zameen Par is a title which denotes that aspect. It is a title with a very positive feel to it. All the kids are special and wonderful. They are like stars on earth. This particular aspect gave birth to the title.

Answer 2

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colours, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks and neatness. And Ishaan just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to 'be disciplined'. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh, who infects the students with joy and optimism. He breaks all the rules of 'how things are done' by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan. Nikumbh soon realizes that Ishaan is very unhappy, and he sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

An art teacher, Ram Shankar Nikumbh teaches at a local boarding school and thinks that every child is special and must have his chance of enjoying his/her school days, so he breaks all the rules of 'how things are done' in the school to let his motives became successful, all the children respond to him with joy, all except a small boy named Ishaan Awasthi, of eight years old who seem to be in a different world all the time. Nikumbh soon finds out that Ishaan is unhappy about something. He attempts to help him. The questions remain will he be successful or will the errant prove dangerous for him.

The Mumbai-based Awasthi family consists of Nandkishore, his wife, Maya, and two sons, Yohan and Ishaan. Both sons attend St. Anthony's High School where Yohan excels in his studies, but Ishaan does the opposite, having failed in his 3rd standard twice already. His parents continue to be disappointed with his performance, and as a result he hides his report cards from them, often misses school, and keeps to himself all the time. Things get worse when he gets into disagreements and fisticuffs with other children, prompting his father to have him admitted in the New Era Boarding School in distant Panchgani. Even this re-location does not improve Ishaan performance, and the Principal decides to rusticate him. Then a temporary teacher, Ram Shankar Nikumbh is recruited. Ram meets with Ishaan and believes he has a solution that will improve the child's life - little realizing that Ishaan does not have much of a future as neither his teachers, his friends, and even his parents believe that there is any hope for him.

Answer 3

The husband and wife team of Amole Gupte and Deepa Bhatia developed the story that would eventually become Taare Zameen Par as a way of understanding why some children cannot conform to a conventional educational system. Their initial work began as a short story that evolved into a screenplay over seven years. Deepa Bhatia later stated in an interview with The Hindu that her original inspiration was not dyslexia but rather the childhood of Japanese filmmaker Akira Kurosawa, who performed poorly in school. Her goal was thus to explore the story of "a child who did not fit into the school stream." She referenced a specific moment in Kurosawa's biography where he began to excel after meeting an attentive art teacher, and noted that this scene "became the inspiration for how a teacher could transform the life of a student".

In developing the character of a young boy based on Kurosawa, Bhatia and Gupte explored some possible reasons why he failed in school. Their research led them to groups such as the Maharashtra Dyslexia Association and Parents for a Better Curriculum for the Child (PACE). Dyslexia eventually became the central topic and theme of the film. The pair worked with dyslexic children to research and develop the screenplay, basing characters and situations on their observations. Bhatia and Gupte carefully concealed the children's identities in the final version of the script.[6]

"While Amole has written what I think is a brilliant and moving script, his contribution towards the film is not limited to that of a writer. The entire pre-production was done by him including the most important task of creating the music ... he has been present on set throughout the shooting as the Creative Director, and has been a big support and strong guiding force in my debut as a director. I thank him for that, and more so for having the faith in me by entrusting to me something that is so close to him."

Khan and Gupte first met in college. Khan has said that he admired Gupte's abilities as an actor, writer, and painter. Three years before the film's release Gupte brought Khan to the project as a producer and actor. Gupte himself was to direct,[12] but the first week'sdailies were a great disappointment to Khan, who "lost faith in Amol and his capability of translating on screen what he had so beautifully written on paper".[13] Khan was on the verge of withdrawing his participation in the film because of these "creative differences",[13][14] but Gupte kept him onboard by stepping down as director. Had it been necessary to hire a third party, production would have been postponed for 6-8 months as the new director prepared for the film. Keen to keep Safary as Ishaan-the actor might have aged too much for the part had production been delayed-Khan took over the role of director.[13] Taare Zameen Par was Khan's first experience in the dual role of actor and director. He has admitted that the transition was challenging, stating that while he had always wanted to direct a film, it was unknown territory for him.[15] Gupte remained on set, "guiding [Khan] and, at times, even correcting [him]".[13] Title and translationInitially the film was to retain the short story's title of "High Jump", because of Ishaan's inability to achieve the high jump in gym class. This subplot-filmed but later cut-tied into the original ending for the movie. In this rendition, a "ghost image" separates from Ishaan after the art competition and runs to the sports field; the film would end on a freeze frame of Ishaan successfully making the leap. Khan, however, was unhappy with that proposed ending and convinced Gupte to rewrite it.

With the working title no longer relevant,[16] Khan, Gupte, and Bhatia discussed several alternatives,[17] eventually deciding on Taare Zameen Par. Possible translations of this title include Stars on the Ground[18] and Stars on Earth.[19] According to Khan: Taare Zameen Par is a film about children and it is a film which celebrates the abilities of children. Taare Zameen Par is a title which denotes that aspect. It is a title with a very positive feel to it. All the kids are special and wonderful. They are like stars on earth. This particular aspect gave birth to the title.

Answer 4

happines and sadness plus wat movie is made to be funny or etc