Iloilo is known for its seafood products such as fresh fish, crabs, and prawns. It also produces agricultural goods like mangoes, bananas, and sugarcane. Additionally, the province is famous for its handwoven textiles called "hablon" and "patadyong."
The costume for the Lawiswis Kawayan folk dance typically consists of traditional Filipino attire, such as barong tagalog for men and balintawak or patadyong for women. The colors and designs of the costumes may vary, but they often incorporate elements that reflect the bamboo-inspired movements of the dance. Accessories like hats or bamboo props may also be included to enhance the performance.
. Women wear the balintawak, a dress with wide-arched sleeves and a panuelo or handkerchief on the shoulder. Some women wear the patadyong, a checkered skirt paired with a blouse made out of pineapple fiber. And the men wear common formal attire called the barong Tagalog. It is a lightweight long-sleeved shirt worn over an undershirt and paired with red trousers. And the dancers remain barefoot for the dance. hope it helped u ^.^
panget kayong lahat... mga baliw hindi niyo alam ang bobo ninyo .. tanga tanga engot....
The traditional attire in Central Visayas typically consists of colorful garments made from lightweight materials such as cotton or silk. Women commonly wear the "terno" or "patadyong" dress with intricate embroidery, while men opt for the "barong Tagalog" paired with linen trousers. These traditional outfits are often adorned with accessories like native hats or shoes.
This lively dance is popular in the provinces of Iloilo and Antique. It i s named a f t e r t h e s t e p "Haplik", which is also used i n some other dances. Haplik was taught by Mary Ann Herman at the 1960 Idyllwild Folk Dance Camp. Correct costume for the woman is patadyong, camisa and a soft panuelo over one shoulder; for the man, barong tagalog and white t r o u s e r s .
The Tinikling dance is one of the most popular and well-known of traditional Philippine dances. It is pre-Spanish and involves two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance. It's name is a reference to tinkling birds. The dance originated in Leyte among the Visayan islands in the central Philippines as an imitation of the tinkling bird dodging bamboo traps set by rice farmers. It imitates the movement of the tinkling birds as they walk between grass stems, run over tree branches, or dodge bamboo traps set by rice farmers. Dancers imitate the tinkling bird's legendary grace and speed by skillfully maneuvering between large bamboo poles. According to legend, the Tinkling dance originated during the time when the Spaniards took over the Philippines. Natives worked on large plantations under the control of the King of Spain. Those who didn't work productively were punished by standing between two bamboo poles. Females wear a dress called balintawak or patadyong and males wear a uniform called barong tagalog. The balintawak dress is colorful and has wide arched sleeves. The patadyong dress is a pineapple fiber blouse with a checkered skirt. The barong tagalog uniform is usually lightweight long sleeved shirt worn with red trousers. While performing, no shoes are worn. Today Tinikling is taught throughout the United States. In grades K-12 they use this type of folk dance as an aerobic exercise for physical education classes to help expand physical movements such as hand coordination, foot speed, and also their rhythm.
Esperanza Dance is a dance company based in Los Angeles, known for their high-energy performances and unique choreography. They have gained a following for their fusion of various dance styles, including hip-hop, jazz, and contemporary. If you're looking for a group that will dazzle you with their moves and leave you wanting more, Esperanza Dance is the one to watch.
added by:Marlou Sanchez from camotes NhSArgentina Bolivia Chile Colombia Costa Rica Cuba Dominican Republic Ecuador El Salvador Guatemala Honduras Mexico Nicaragua Panama Paraguay Peru Puerto Rico Uruguay VenezuelaAfrica Equatorial Guinea Western Sahara[1]Asia and Oceania Philippines[2]ito pa:Ø CANARY IslandØ MelillaØ BALEARIC IslandsØ CeutaØ ArgentinaØ BoliviaØ CubaPhilippines-----jhoaniemarie_23
Among the ancient Filipinos, the male attire was composed of the upper and lower parts, the upper, called kanggan, was a black or blue collarless jacket with short sleeves. It seems that the color of the jacket indicated the rank of the wearer, for the chief wore a red jacket, while those below his rank wore either blue or black depending upon their position in society. The lower part of the attire, called bahag, consisted of a strip of cloth wrapped about the waist, passing down between the thighs. Such method of dressing naturally left one's thighs and legs exposed.The woman's dress, too, was composed of the upper and lower parts. The upper, called baro or camisa, was a jacket with sleeves, while the lower part, called saya by the Tagalogs and patadyong by the Visayans, was loose skirt. A piece of red or white cloth, called tapis, was usually wrapped about the waist.Men, women and children walked about barefooted, for sandals and shoes were Spanish innovations. The male had a headgear consisting of a piece of cloth, called putong, which was wrapped around his head. The color of the putong showed the "manliness" of a man; a red putong for instance, signified that the wearer had killed a man in war. But he who had killed at least seven was privileged to wear an embroidered putong. The woman, on the other hand, had no putong, but wore her hair gracefully knotted at the back of her head.
Among the ancient Filipinos, the male attire was composed of the upper and lower parts, the upper, called kanggan, was a black or blue collarless jacket with short sleeves. It seems that the color of the jacket indicated the rank of the wearer, for the chief wore a red jacket, while those below his rank wore either blue or black depending upon their position in society. The lower part of the attire, called bahag, consisted of a strip of cloth wrapped about the waist, passing down between the thighs. Such method of dressing naturally left one's thighs and legs exposed.The woman's dress, too, was composed of the upper and lower parts. The upper, called baro or camisa, was a jacket with sleeves, while the lower part, called saya by the Tagalogs and patadyong by the Visayans, was loose skirt. A piece of red or white cloth, called tapis, was usually wrapped about the waist.Men, women and children walked about barefooted, for sandals and shoes were Spanish innovations. The male had a headgear consisting of a piece of cloth, called putong, which was wrapped around his head. The color of the putong showed the "manliness" of a man; a red putong for instance, signified that the wearer had killed a man in war. But he who had killed at least seven was privileged to wear an embroidered putong. The woman, on the other hand, had no putong, but wore her hair gracefully knotted at the back of her head.
Among the ancient Filipinos, the male attire was composed of the upper and lower parts, the upper, called kanggan, was a black or blue collarless jacket with short sleeves. It seems that the color of the jacket indicated the rank of the wearer, for the chief wore a red jacket, while those below his rank wore either blue or black depending upon their position in society. The lower part of the attire, called bahag, consisted of a strip of cloth wrapped about the waist, passing down between the thighs. Such method of dressing naturally left one's thighs and legs exposed.The woman's dress, too, was composed of the upper and lower parts. The upper, called baro or camisa, was a jacket with sleeves, while the lower part, called saya by the Tagalogs and patadyong by the Visayans, was loose skirt. A piece of red or white cloth, called tapis, was usually wrapped about the waist.Men, women and children walked about barefooted, for sandals and shoes were Spanish innovations. The male had a headgear consisting of a piece of cloth, called putong, which was wrapped around his head. The color of the putong showed the "manliness" of a man; a red putong for instance, signified that the wearer had killed a man in war. But he who had killed at least seven was privileged to wear an embroidered putong. The woman, on the other hand, had no putong, but wore her hair gracefully knotted at the back of her head.