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The Mannheim school was responsible for a number of new techniques in the 1700s.

The Mannheim crescendo was a technique whereby the entire orchestra would transition quite rapidly from pianissimo to fortissimo. This transition was not done gradually, as this question suggests.

The Mannhein steamroller combined this sudden crescendo with tremolo effects and often a rise in the pitch.

The Mannhein rocket referred to a rising arpeggio.

There was even a Mannheim sigh, which gave the effect of a human sigh by using a slur over two descending notes.
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Q: The technique of gradually changing levels was developed by the Mannheim symphonists?
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