How one can become news reporter?

Answer 1

a purse? And who needs YOU, mister whoever-you-are?!" and soon takes a room at the Hotel Priscilla for Single Women ("Not For the Life of Me [reprise]"). A week later, Millie is confronted by the hotel proprietress, the mysterious and sinister Mrs. Meers, a former actress who now works for a white slavery ring in Hong Kong, kidnapping pretty unsuspecting orphan girls and shipping them to the Orient, which she has just done to Millie's hall mate, Ethel Peas. Mrs. Meers declares that Millie "has two minutes to pack, or find her things on the street!" But then Millie meets the wealthy Miss Dorothy, who wants to learn how the poorer half lives ("How the Other Half Lives"), and wants a room in the Hotel Priscilla. Millie, seeing this as a way to get her rent paid, suggests that Miss Dorothy can room with her until she can find her own, but only if Miss Dorothy pays the rent. Mrs. Meers comes out of her office, saying Millie can get a rent extension, and Miss Dorothy can take the "nice, sunny room that just become available, right next to Millie's." When Millie asks what happened to her old neighbor, Ethel, Mrs. Meers says she got an acting job in the Orient. Millie and Miss Dorothy then go up to their rooms, tap dancing to get the elevator to start. In the Hotel Priscilla laundry room, two Chinese immigrants, Ching Ho and Bun Foo, are working for Mrs. Meers to earn enough money to bring their mother from Hong Kong over to the states ("Not for the Life of Me [reprise]"). After researching some of the richest and most eligible bachelors in the world, Millie comes to Sincere Trust not only looking for a job, but also to set her sights on the company's boss, Trevor Graydon III ("The Speed Test"). Her lightning speed stenography easily lands her the job. Meanwhile, Ching Ho attempts to capture Miss Dorothy for Mrs. Meers with a drugged apple but when he sees her, he falls in love with her instantly and wants to save her from Mrs. Meers. Before Dorothy eats the drugged apple, Millie arrives (Mrs. Meers has to act like she was getting a stain out of the carpet with "soy sauce") with the good news that she has found a job and a boss to marry. As the girls rush off to their rooms, Mrs. Meers thinks about how stupid the girls are to never realize she's an evil mastermind trying to ship them to Southeast Asia ("They Don't Know"). To celebrate their success the girls go to a speakeasy, where they meet Jimmy, but the club is raided by the police. While waiting for his release in the jail cell, Jimmy realizes that he loves Millie ("What Do I Need with Love"). Jimmy asks Millie to a party hosted by famous singer Muzzy van Hossmere, and she accepts. Before the party Muzzy sings of her love for New York ("Only in New York"). At the party, Millie spills wine on Dorothy Parker's dress, which Millie tries to get out with soy sauce, following Mrs. Meers' example. After the party, Millie explains to Jimmy how she is going to marry Trevor. She also tells him off for being a "skirt chaser" and "womanizer." As they argue, Jimmy suddenly grabs Millie and kisses her, then runs away. Millie realizes that she loves Jimmy ("Jimmy"). Millie returns to the hotel and overhears a conversation between Miss Dorothy and Jimmy, "I really want to tell her, she's my best friend" followed by "You know we can't". Millie sees Jimmy sneaking out of Miss Dorothy's room after what appears to be a late-night tryst; confused and horrified, Millie decides she never wants anything to do with Jimmy ever again. Act II At Sincere Trust, Millie tells the other stenographers that she is "completely over" Jimmy, then realizes she is still in love; the girls try to convince her to let him go ("Forget About the Boy"). Millie places more conviction into marrying Graydon, but when Dorothy comes to visit Millie at work, Mr. Graydon is immediately smitten with her instead ("Ah! Sweet Mystery of Life"/"Falling in Love with Someone"). The two set up a date together. While Millie is brooding over her lost chances, Jimmy breaks in through the window and asks her to dinner. She initially tells him off but then agrees ("I Turned the Corner"/Falling in Love with Someone" (Reprise)). Back at the Hotel Priscilla, Mrs. Meers along with Ching Ho and Bun Foo get ready to drug Miss Dorothy, when Ching Ho refuses because he loves her. Mrs. Meers stops his ranting by reminding them of why they work for her, to raise money to see their mother again. She convinces them to go along with the plan ("Muqin"). Jimmy finally declares his feelings for Millie while washing dishes to pay their tab at Cafe Society while Muzzy is performing her hit ("Long As I'm Here with You"). Millie is confused by her feelings for Jimmy and her desire not to be poor and initially rejects him. She runs to Muzzy, who tells her she's a fool for throwing away true love for the sake of money. She tells the story of how she met her late husband, a supposedly poor but goodhearted man who gave her a green glass necklace. Regardless of his income status, she loved him anyway, and she later realized that her green glass necklace was actually genuine emerald. Millie reconsiders her feelings and finally realizes that she would rather have a green-glass love with Jimmy ("Gimme, Gimme"). Just as she returns to Jimmy to confess her feelings, they encounter Graydon, who was stood up by Miss Dorothy for their date, and is drunkenly singing, annoying Dexter and his wife, Daphne, who are also on a date. Graydon tells Millie and Jimmy that Mrs. Meers told him Miss Dorothy had checked out of the hotel. When Millie recalls that several other tenants had also suddenly "checked out", and that all of them were orphans, Millie, Jimmy, and Graydon realize what Mrs. Meers is doing. They persuade Muzzy to pose as a new orphan in town to trick Mrs. Meers, who takes the bait, is exposed as the mastermind of the slavery ring, and is then taken to the police station. Meanwhile, Ching Ho had already rescued Miss Dorothy and won her heart. Jimmy proposes to Millie, and, poor as he is, she accepts, "because if it's marriage I've got in mind, love has everything to do with it." Jimmy turns out to be Herbert J. van Hossmere III, Muzzy's stepson, and one of the most eligible bachelors in the world. And Miss Dorothy turns out to be his sister, an heiress named Dorothy Carnegie Mellon Vanderbilt van Hossmere, and (unlike the 1967 film) she ends up not with the dismayed Trevor Graydon, but with Ching Ho. Muzzy reveals that to help Jimmy and Dorothy avoid getting caught by fortune-hunters, she sent them out into the world so that they could find spouses who weren't in it for the money. Both Jimmy and Dorothy had disguised their family name to avoid being found out as society heirs. In a final pairing, Bun Foo joins Graydon's company as a new stenographer after telling Graydon that he can type fifty words a minute. At the very end of the musical (after the bows), Bun Foo and Ching Ho are once again reunited with their mother. Songs are by Tesori and Scanlan, unless otherwise noted. An original Broadway cast recording is available on the RCA Victor label. BroadwayThe musical, directed by Michael Mayer, underwent several workshops in New York in 1999. Included in the workshops casts were Kristin Chenoweth, Marc Kudisch, and Beatrice Arthur.It then played out-of-town tryouts at the La Jolla Playhouse at University of California, San Diego in October 2000 through December 2000. Despite nurturing the role through the workshop process, Kristin Chenoweth did not continue with the role of Millie in order to film her own sitcom. She was replaced by Erin Dilly, but prior to public previews, Sutton Foster, her understudy, was chosen to assume the title role, a move that propelled her to stardom. After a long production history, the musical premiered on Broadway at the Marquis Theatre on April 18, 2002 and closed on June 20, 2004 after 903 performances and 32 previews. Directed by Michael Mayer and choreographed by Rob Ashford, orchestration was by Doug Besterman and the late Ralph Burns, scenic design was by David Gallo, costume design was by Martin Pakledinaz, and lighting design was by Donald Holder. The original cast included Sutton Foster as Millie, Marc Kudisch as Trevor, Angela Christian as Miss Dorothy, Gavin Creel as Jimmy, Harriet Sansom Harris as Mrs. Meers, Sheryl Lee Ralph as Muzzy Van Hossmere, Ken Leung as Ching Ho, Francis Jue as Bun Foo, and Anne L. Nathan as Miss Flannery. Replacements later in the run included Susan Egan as Millie, Leslie Uggams as Muzzy, Delta Burke and Dixie Carter as Mrs. Meers, Christian Borle as Jimmy, Christopher Sieber as Trevor Graydon, and Liz McCartney as Miss Flannery. At the April 2, 2003 performance, Meredith Vieira appeared in three minor roles for a segment later broadcast on her daytime talk show The View. The original Broadway production won six Tony Awards and five Drama Desk Awards, including the win for Best Musical at both award ceremonies. LondonIn 2003, the original creative team reunited to stage the show in London's West End at the Shaftesbury Theatre. It began previews on October 11 and opened on October 21. UK TV personality Amanda Holden starred in the title role, with Maureen Lipman and Marti Webb alternating as Mrs. Meers and Sheila Ferguson as Muzzy Van Hossmere. When Webb subsequently left the production to join Tell Me on a Sunday, Mrs. Meers was played by Anita Dobson, and when Holden was forced to take time off due to illness, her understudy Donna Steele took over the role to great acclaim. Despite positive reviews and booking periods extended to January 2005, Thoroughly Modern Millie failed to catch the UK public's attention and closed on June 26, 2004. UK tourA UK tour beginning in March 2005 fared much better and successfully toured many of the country's major theatres until November, when it closed as planned in Nottingham. The tour starred Steele as Millie, Lesley Joseph as Mrs. Meers, and Grace Kennedy as Muzzy Van Hossmere. School editionThe school edition of Thoroughly Modern Millie was premiered at the International Thespian Festival on June 26, 2007. It was presented by the International Thespian Cast. The production starred Elizabeth Elliott as Millie, David King as Jimmy, and Rachel Buethe as Mrs. Meers. The creators of the show also appeared at the festival to help introduce the show. 2017 / 2018 UK TourA new UK tour began in January 2016 with direction and choreography by Racky Plews. The tour starred Joanne Clifton as Millie, Michelle Collins as Mrs. Meers (until March 2016) when the role was taken over by Lucas Rush. The tour closed in June 2016. A 2018 UK tour starring Hayley Tamaddon and directed/choreographed by Racky Plews will start in March 2018 at Richmond Theatre. It will play Eastbourne, Sunderland, Oxford, Torquay, Poole, Stoke, Bradford, Darlington, Southend and Wolverhampton. More dates and further casting TBA. International productionsA German edition named "Höllisch Moderne Millie" (Infernal Modern Millie) premiered on October 26, 2018 at Hof Theatre.A Japanese production of Thoroughly Modern Millie will premiere in April 2020 at The Imperial Theatre and go on tour. It will feature Manato Asaka as Millie Dillmount. Since the musical became a popular choice for high school productions due to its Tony awards and multiple roles for boys and girls, controversy has arisen about the perceived racial stereotyping of Asian people, resulting in Philadelphia High School for the Creative and Performing Arts student journalists Jasmine Luca and Tai Joselyn referring to the work as "Thoroughly Racist Millie". The subplot of the show in which Mrs. Meers, a white woman, disguises herself as a Chinese woman and runs a white slavery ring with assistance of two recent Chinese male immigrants, Ching Ho and Bun Foo, plays on the close differences between satire and racism. According to the musical play writer, Dick Scanlan, the musical aims to shatter racist stereotypes and allows the audience to experience “the chasm between the stereotype and the real thing”. The original actor for Bun Foo, Francis Jue, also said “this show can be done racist but it doesn’t have to and actually it can actually be anti-racist…And the Chinese guys are the heroes of the story”. Daniel B. Harris (born July 26, 1971) is a journalist for ABC News, an anchor for Nightline and co-anchor for the weekend edition of Good Morning America. Harris is the son of Nancy Lee Harris and Jay R. Harris. His father is the chair of the radiation oncology residency program at Harvard University and his mother is a pathologist at Massachusetts General Hospital in Boston and an expert on lymphomas. His younger brother, Matthew Carmichael Harris, is a venture capitalist. Harris graduated in 1993 from Colby College in Waterville, Maine. Harris began his career as an anchor for WLBZ in Bangor, Maine. He then worked for two years at WCSH in Portland, Maine, as an anchor and political reporter. From 1997 to 2000 he was an anchor at New England Cable News. He joined ABC News in 2000. He anchored World News Sunday from 2006 to 2011 and frequently anchors World News, ABC World News Tonight weekend editions and Nightline. He is also a frequent contributor to World News. He also anchored ABC's coverage of Hurricane Katrina in September 2005. In October 2010, he was named the new co-anchor for the weekend edition of Good Morning America. In October 2013, he was named a co-anchor for Nightline, succeeding Bill Weir.In addition to reporting on a range of natural disasters and several mass shootings, and from multiple combat zones, Harris has led the network's reporting on religion, especially evangelicalism, and once spent 48 hours in solitary confinement for a story on criminal justice. Harris encourages the use of meditation, and himself uses a method of watching the breath. His "10% Happier" podcasts are interviews with other meditators. Harris' book, 10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Really Works – a True Story, was published in March 2014. Harris has said that his self-examination, abandonment of drugs, and adoption of meditation were prompted by an on-air panic attack in 2004. In the book, Harris recounts how he resolved the apparent conflict between meditation-induced equanimity and the aggressive competitiveness required for success as a TV-news journalist. A meditation smartphone application was launched in 2015 and rebranded as 10% Happier, based on Harris' book. On March 1, 2016, it was announced that Harris would become the host of the game show 500 Questions, replacing Richard Quest. He is married to Dr. Bianca Harris; they have a son. Although he refers to himself as "half-Jewish“ and culturally Jewish", he identifies as a Buddhist.In high school Harris played the drums in a band with the bassist for the rock band The Unband. Harris received an Edward R. Murrow Award for his reporting on a young Iraqi man who received the help he needed in order to move to America, and in 2009 won an Emmy Award for his Nightline report, "How to Buy a Child in Ten Hours".He has been awarded honorary doctorates by his alma mater Colby College and by the Massachusetts College of Liberal Arts. 10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works – A True Story (2014) ISBN 9781444799064 Meditation for Fidgety Skeptics: A 10% Happier How-to Book (2017), co-authored with Jeff Warren and Carlye Adler ISBN 9780399588945 Heinrich Theodor Böll (German: [haɪ̯n.ʁɪç ˈteːodoːɐ̯ ˈbœl] (listen); 21 December 1917 – 16 July 1985) was one of Germany's foremost post-World War II writers. He was awarded the Georg Büchner Prize in 1967 and the Nobel Prize for Literature in 1972. Böll was born in Cologne, Germany, to a Roman Catholic and pacifist family that later opposed the rise of Nazism. Böll refused to join the Hitler Youth during the 1930s. He was apprenticed to a bookseller before studying German studies and classics at the University of Cologne. Conscripted into the Wehrmacht, he served in Poland, France, Romania, Hungary and the Soviet Union. In 1942, Böll married Annemarie Cech, with whom he would have three sons; she later collaborated with him on a number of different translations into German of English language literature. During his war service, Böll was wounded four times and contracted typhoid. He was captured by US Army soldiers in April 1945 and sent to a prisoner-of-war camp.After the war he returned to Cologne and began working in his family's cabinet shop and, for one year, worked in a municipal statistical bureau, an experience which he did not enjoy and which he left in order to take the risk of becoming a writer instead.Böll became a full-time writer at the age of 30. His first novel, Der Zug war pünktlich (The Train Was on Time), was published in 1949. He was invited to the 1949 meeting of the Group 47 circle of German authors and his work was deemed to be the best presented in 1951.Many other novels, short stories, radio plays and essay collections followed. Böll was extremely successful and was lauded on a number of occasions. In 1953 he was awarded the Culture Prize of German Industry, the Southern German Radio Prize and the German Critics' Prize. In 1954 he received the prize of the Tribune de Paris. In 1955 he was given the French prize for the best foreign novel. In 1958 he gained the Eduard von der Heydt prize of the city of Wuppertal and the prize of the Bayerische Akademie der Schönen Künste (Bavarian Academy of Fine Arts). In 1959 he was given the Great Art Prize of the State of North-Rhine-Westphalia, the Literature Prize of the city of Cologne, and was elected to the Academy of Science and the Arts in Mainz. In 1960 he became a member of the Bavarian Academy of Fine Arts and gained the Charles Veillon Prize. In 1967 he was given the Georg Büchner Prize.In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature".He was given a number of honorary awards up to his death, such as the membership of the American Academy of Arts and Letters in 1974, and the Ossietzky Medal of 1974 (the latter for his defence of and contribution to global human rights). Böll was President of PEN International, the worldwide association of writers, from 1971 to 1973. His work has been translated into more than 30 languages, and he remains one of Germany's most widely read authors. His best-known works are Billiards at Half-past Nine (1959), And Never Said a Word (1953), The Bread of Those Early Years (1955), The Clown (1963), Group Portrait with Lady (1971), The Lost Honour of Katharina Blum (1974), and The Safety Net (1979). Despite the variety of themes and content in his work, there are certain recurring patterns: many of his novels and stories describe intimate and personal life struggling to sustain itself against the wider background of war, terrorism, political divisions, and profound economic and social transition. In a number of his books there are protagonists who are stubborn and eccentric individualists opposed to the mechanisms of the state or of public institutions.Böll was a devoted pacifist because of his experiences during WWII. All of his writing and novels during the post-war years had to do with the war and making sure it never happened again. He encapsulated it in the phrase "never war again". The 1963 publication of The Clown was met with polemics in the press for its negative portrayal of the Catholic Church and the CDU party. Böll was devoted to Catholicism but also deeply critical of aspects of it (particularly in its most conservative incarnations). In particular, he was unable to forget the Concordat of July 1933 between the Vatican and the Nazis, signed by the future Pope Pius XII, which helped confer international legitimacy on the regime at an early stage in its development.Böll's liberal views on religion and social issues inspired the wrath of conservatives in Germany. When constitutional reforms were passed in 1968 that cracked down on freedom, Böll spoke out against them. His 1972 article Soviel Liebe auf einmal (So much love at once) which accused the tabloid Bild of falsified journalism, was in turn retitled, at the time of publishing and against Böll's wishes, by Der Spiegel, and the imposed title was used as a pretext to accuse Böll of sympathy with terrorism. This particular criticism was driven in large part by his repeated insistence upon the importance of due process and the correct and fair application of the law in the case of the Baader-Meinhof Gang. In his article for Der Spiegel entitled Sixty Million against Six he asked for a safeguard for Ulrike Meinhof in order to open a dialogue and prevent a major press campaign and police campaign. He received heavy criticism for this and was dubbed "the spiritual father of the violence" by one journalist in the Springer press.The conservative press even attacked Böll's 1972 Nobel Prize, arguing that it was awarded only to "liberals and left-wing radicals".On 7 February 1974, the BZ, Berlin's most widely-read newspaper at the time reported on Böll's home being searched. However, his home was only searched at 4 PM later that day, after the newspaper had already been circulated.In 1977, after the abduction of Hanns Martin Schleyer, 40 police searched Böll's house based on an anonymous tip they received that named Böll's son as an accomplice to the kidnappers. These claims turned out to be unfounded. The Christian Democrats placed Böll on a blacklist after this incident. Böll was deeply rooted in his hometown of Cologne, with its strong Roman Catholicism and its rather rough and drastic sense of humour. In the immediate post-war period, he was preoccupied with memories of the War and the effect it had—materially and psychologically—on the lives of ordinary people. He made them the heroes in his writing. His Catholicism was important to his work in ways that can be compared to writers such as Graham Greene and Georges Bernanos though, as noted earlier, his perspective was a critical and challenging one towards Catholicism rather than a merely passive one.He was deeply affected by the Nazi takeover of Cologne, as they essentially exiled him in his own town. Additionally, the destruction of Cologne as a result of the Allied bombing during World War II scarred him for life; he described the aftermath of the bombing in The Silent Angel. Architecturally, the newly-rebuilt Cologne, prosperous once more, left him indifferent. (Böll seems to have been an admirer of William Morris – he let it be known that he would have preferred Cologne Cathedral to have been left unfinished, with the 14th-century wooden crane at the top, as it had stood in 1848). Throughout his life, he remained in close contact with the citizens of Cologne, rich and poor. When he was in hospital, the nurses often complained about the "low-life" people who came to see their friend Heinrich Böll.Böll had a great fondness for Ireland, holidaying with his wife at their second home there, on the west coast. Given this connection, it is tempting to see resonances between Böll's work – specifically, his surreal play A Mouthful of Earth – and that of his esoteric contemporary Samuel Beckett. Böll's concern about damage to the environment, so evident from his play, was a driving force behind the establishment of the Heinrich Böll Foundation. Böll's villains are the figures of authority in government, business, the mainstream media, and in the Church, whom he castigates, sometimes humorously, sometimes acidly, for what he perceived as their conformism, lack of courage, self-satisfied attitude and abuse of power. The newspapers in his books have no qualms with lying about the characters or destroying their lives, much like what Böll himself experienced when he was accused of harboring and defending anarchists. His works have been dubbed Trümmerliteratur (the literature of the rubble). He was a leader of the German writers who tried to come to grips with the memory of World War II, the Nazis, and the Holocaust and the guilt that came with them. Because of his refusal to avoid writing about the complexities and problems of the past he was labelled by some with the role of 'Gewissen der Nation' (conscience of the nation), in other words a catalyst and conduit for memorialisation and discussion in opposition to the tendency towards silence and taboo. This was a label that he himself was keen to jettison because he felt that it occluded a fair audit of those institutions which were truly responsible for what had happened.He lived with his wife in Cologne and in the Eifel region. However, he also spent time on Achill Island off the west coast of Ireland. His cottage there is now used as a guesthouse for international and Irish artists. He recorded some of his experiences in Ireland in his book Irisches Tagebuch (Irish Journal); later on the people of Achill curated a festival in his honour. The Irish connection also influenced the translations into German by his wife Annemarie, which included works by Brendan Behan, J. M. Synge, G. B. Shaw, Flann O'Brien and Tomás Ó Criomhthain.He was the president of the then West German P.E.N. and subsequently of the International P.E.N. organizations. He travelled frequently as a representative of the new, democratic Germany. His appearance and attitude were in complete contrast to the boastful, aggressive type of German which had become infamous all over the world during Hitler's rule. Böll was particularly successful in Eastern Europe, as he seemed to portray the dark side of capitalism in his books; his books were sold by the millions in the Soviet Union alone.When Aleksandr Solzhenitsyn was expelled from the Soviet Union, he first took refuge in Böll's Eifel cottage. This was in part the result of Böll's visit to the Soviet Union in 1962 with a cultural delegation, the first of several trips he made to the country, during which he built friendships with several writers and connections with many producers of dissident literature. With Solzhenitsyn's meeting, Böll responded to the criticism from both sides that branded him an instrument of anti-socialist propaganda and on the other as a stooge for the East Germans with the following statement "perhaps many Germans do not read The Gulag Archipelago to experience the suffering of those to whom this monument is dedicated, but rather to forget the horror of their own history." Böll had previously recommended Solzhenitsyn for the Nobel Prize for Literature, under the auspices of his position in the West German P.E.N. When Solzhenitsyn was awarded the prize in 1976, he quoted from Böll's works to the reception committee.In 1976, Böll publicly left the Catholic Church, "without falling away from the faith".He died in 1985 at the age of 67. Böll's memory lives on, among other places, at the Heinrich Böll Foundation. A special Heinrich Böll Archive was set up in the Cologne Library to house his personal papers, bought from his family, but much of the material was damaged, possibly irreparably, when the building collapsed in March 2009.His cottage in Ireland has been used as a residency for writers since 1992.Eric Anderson composed a set of musical compositions based upon the books of Böll: Silent Angel: Fire and Ashes of Heinrich Böll (2017) Meyer Records. (1949) Der Zug war pünktlich (The Train Was on Time) – novel (1950) Wanderer, kommst du nach Spa… – short story (1951) Die schwarzen Schafe (Black Sheep) – short story (1951) Nicht nur zur Weihnachtszeit (Christmas Not Just Once a Year) – short story (1951) Wo warst du, Adam? (And where were you, Adam?) – novel (1952) Die Waage der Baleks (The Balek Scales) – short story (1953) Und sagte kein einziges Wort (And Never Said a Word) – novel (1954) Haus ohne Hüter (House without Guardians ; Tomorrow and Yesterday) – novel (1955) Das Brot der frühen Jahre (The Bread of Those Early Years) – novel (1957) Irisches Tagebuch (Irish Journal) – travel writing (1957) Die Spurlosen (Missing Persons) – essays (1958) Doktor Murkes gesammeltes Schweigen (Murke's Collected Silences, 1963) – short story (1959) Billard um halb zehn (Billiards at Half-past Nine) – novel (1962) Ein Schluck Erde (A Mouthful of Earth) – play (1963) Ansichten eines Clowns (The Clown) – novel (1963) Anekdote zur Senkung der Arbeitsmoral (Anecdote Concerning the Lowering of Productivity) – short story (1964) Entfernung von der Truppe (Absent Without Leave) – two novellas (1966) Ende einer Dienstfahrt (End of a Mission) – novel (1971) Gruppenbild mit Dame (Group Portrait with Lady) – novel (1974) Die verlorene Ehre der Katharina Blum (The Lost Honour of Katharina Blum) – novel (1979) Du fährst zu oft nach Heidelberg und andere Erzählungen (You Go to Heidelberg Too Often) – short stories (1979) Fürsorgliche Belagerung (The Safety Net) – novel (1981) Was soll aus dem Jungen bloß werden? Oder: Irgendwas mit Büchern (What's to Become of the Boy?) – autobiography of Böll's school years 1933–1937 (1982) Vermintes Gelände (1982, written 1948) Das Vermächtnis (A Soldier's Legacy) – novel (1983) Die Verwundung und andere frühe Erzählungen (The Casualty) – unpublished stories from 1947–1952 (1985) Frauen vor Flusslandschaft (Women in a River Landscape) (1986) The Stories of Heinrich Böll – U.S. release (1992, written 1949/50) Der Engel schwieg (The Silent Angel) – novel (1995) Der blasse Hund – unpublished stories from 1937 & 1946–1952 (2002, written 1946–1947) Kreuz ohne Liebe (2004, written 1938) Am Rande der Kirche (2011) The Collected Stories – reissues of translations, U.S. release More than seventy translations of Annemarie and Heinrich Böll are listed in the bibliography published in 1995 by Werner Bellmann: poetical works of Brendan Behan, Eilis Dillon, O. Henry, Paul Horgan, Bernard Malamud, J. D. Salinger, George Bernard Shaw et al. Das harte Leben (The Hard Life, Brian O'Nolan), translated by Heinrich Böll, Hamburg, Nannen, 1966, 79. Illustrations by Patrick Swift. Journalistic objectivity is a considerable notion within the discussion of journalistic professionalism. Journalistic objectivity may refer to fairness, disinterestedness, factuality, and nonpartisanship, but most often encompasses all of these qualities. First evolving as a practice in the 18th century, a number of critiques and alternatives to the notion have emerged since, fuelling ongoing and dynamic discourse surrounding the ideal of objectivity in journalism. Most newspapers and TV stations depend upon news agencies for their material, and each of the four major global agencies (Agence France-Presse (formerly the Havas agency), Associated Press, Reuters, and Agencia EFE) began with and continue to operate on a basic philosophy of providing a single objective news feed to all subscribers. That is, they do not provide separate feeds for conservative or liberal newspapers. Journalist Jonathan Fenby has explained the notion: To achieve such wide acceptability, the agencies avoid overt partiality. The demonstrably correct information is their stock-in-trade. Traditionally, they report at a reduced level of responsibility, attributing their information to a spokesman, the press, or other sources. They avoid making judgments and steer clear of doubt and ambiguity. Though their founders did not use the word, objectivity is the philosophical basis for their enterprises – or failing that, widely acceptable neutrality. Objectivity in journalism aims to help the audience make up their own mind about a story, providing the facts alone and then letting audiences interpret those on their own. To maintain objectivity in journalism, journalists should present the facts whether or not they like or agree with those facts. Objective reporting is meant to portray issues and events in a neutral and unbiased manner, regardless of the writer's opinion or personal beliefs. Sociologist Michael Schudson suggests that "the belief in objectivity is a faith in 'facts,' a distrust in 'values,' and a commitment to their segregation". Objectivity also outlines an institutional role for journalists as a fourth estate, a body that exists apart from government and large interest groups.Journalistic objectivity requires that a journalist not be on either side of an argument. The journalist must report only the facts and not a personal attitude toward the facts

Answer 2

How does one become a news reporter? With becoming a news reporter, education comes first. You need to have a degree in journalism, English or communication in order to become a newsreporter. Attending journalism school is also called J-school and is a great investment in your future. With each level of education you complete, your salary will increase, so it is a good idea to look for employment with a mid-sized publisher.

Answer 3

Not really