Supertonic - tonic cadence = Chord 2 followed by chord 1.
You should only have two notes in the treble of chord 1. Make sure that the bass part and leading note go to the tonic and add the 3rd note of the chord somewhere in the treble.
it does not cadence on the tonic
A harmonic minor scale in the key of E flat works best. For effect, go from the tonic chord to the submediant, than the supertonic, and then to the leading tone. Then do a subdominant chord, leading to the tonic with the dominant note played with the note a half-step above the dominant. It works if you want extra drama.
Cadence Calibre was born on November 19, 1988, in Dallas, Texas, USA.
77 years old
leading tone
If C is the tonic, D is the supertonic.
The supertonic triad in the key of A flat major is B flat, D flat, and F natural
authentic cadence
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
Tonic, supertonic, mediant, subdominant, dominant, submediant, leading note, tonic again..
F is the tonic. Therefore, from supertonic (the second note) to supertonic is G, A flat, B flat, C, D flat, E natural (a harmonic minor scale has the 7th note raised), F, G.
In music, an authentic cadence is one where the dominant chord resolves to the tonic.
In music theory, the tonic is the first note of a scale, the supertonic is the second note, and the mediant is the third note. They are related because they form the foundation of the scale and help establish the key of a piece of music.
In ascending order, the names for each scale degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and the tonic again.
it does not cadence on the tonic
Ascending up the major scale, the terms for each degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and tonic again. The prefix "super" means above the tonic, and "sub" is below the tonic.
A movement from the tonic to the dominant seventh chord.