Call and response is common not only in Samba music but in many forms of jazz and even popular music. It is when an instrumentalist or singer will play a phrase, and either another member of the band or the audience will repeat that phrase back or at least a variation of the phrase.
Check out Cab Calloway's "Minnie the Moocher" from The Blues Brothers Soundtrack and watch his interaction with the audience. Though this isn't Samba music, it's the same idea for call and response.
For some call and response where two musicians go back and forth, but vary their responses, check out Béla Fleck and the Flecktones: Live at the Quick. The song "Big Country" has some fantastic call and response between Victor Wooten on bass and Jeff Coffin on sax.
just a phrase or tune which is then repeated. Call and echo - Repeating the tune which was played Call and response - After the tune, a different tune plays in response to the first tune.
Improvisation.
African music was a big thing. they used a lot of percussion instruments. && things such as bongos. they often used call & response in there songs
The call is given by the soloist and response by the group
African music is functional music because it has an effect that is used with a purpose.
Work music is prevelant. Frequent use of "call and response" form of singing.
true
It came from America when the African slaves were forced to work. They made music to keep their spirits up. A popular feature was call and response music.
African music was a big thing. they used a lot of percussion instruments. && things such as bongos. they often used call & response in there songs
African music was a big thing. they used a lot of percussion instruments. & things such as bongos. they often used call & response in there songs
Both the call and the response are given by the soloist.
Both the call and the response are given by the soloist.
Call and response spirituals in African American music traditions have historical significance as they were used by enslaved Africans in America to express their faith, maintain cultural connections, and communicate messages of resistance and hope. These spirituals served as a form of communal expression and solidarity, helping to preserve African cultural traditions and provide a sense of identity and strength during times of oppression.
Call and Response "buzzy" purposefully impure tones (distortion) Bent or "blue" notes
The term "call and response" refers to a musical and communication pattern often found in African cultures, where a leader (the "call") sings or speaks a phrase, and a group responds with a corresponding phrase (the "response"). This interaction fosters a sense of community and participation, allowing for collective expression in music, storytelling, and rituals. It is a vital element in various African musical traditions and has influenced many genres, including jazz, blues, and gospel in the broader African diaspora.
both the call and the response could be given by the soloist.
The new form of music that combined West African music with African American spirituals is known as "blues." Emerging in the late 19th and early 20th centuries, blues music incorporates elements such as call-and-response patterns, rhythmic complexity, and expressive lyrics, reflecting the experiences and struggles of African Americans. It laid the groundwork for various other music genres, including jazz, rock, and R&B.