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Call and response is common not only in Samba music but in many forms of jazz and even popular music. It is when an instrumentalist or singer will play a phrase, and either another member of the band or the audience will repeat that phrase back or at least a variation of the phrase.

Check out Cab Calloway's "Minnie the Moocher" from The Blues Brothers Soundtrack and watch his interaction with the audience. Though this isn't Samba music, it's the same idea for call and response.

For some call and response where two musicians go back and forth, but vary their responses, check out Béla Fleck and the Flecktones: Live at the Quick. The song "Big Country" has some fantastic call and response between Victor Wooten on bass and Jeff Coffin on sax.

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13y ago
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13y ago

Call and response is a form of music in which one musician leads a melody with a "call" and others respond. It can be verbal or nonverbal, and is most closely associated with African culture and music, although many other cultures use call and response in their musical traditions

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7y ago

Call and response in music is when two or more singers do something similar to a round about, but lyrics are changed with each "echo". The best example I can think of is Glory of The Lord from Messiah. I'm singing it in my upcoming Christmas concert and was explained this multiple times. It was hard for me to pick up, but you can notice it after some time. In the song, preferably focusing near the beginning, The Sopranos and Tenors of the song do a call and response in a very cool and flowing fashion, this helped us in our timing and taught me a bit more about music. If you haven't heard of Glory of The Lord, I'll gladly supply a link to you, that supplies sheet music and lyrics so to can easily spot the call and response. Just remember: Sopranos and Tenors.

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13y ago

that is the musical term

call and responce

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7y ago

Two phrases played by different people, like in dueling banjo's.

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Q: Call and response in African music?
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Related questions

Elements which African-American music shares with African Music?

Work music is prevelant. Frequent use of "call and response" form of singing.


Is Call and response music common in African and Native American cultures?

true


how did blues music form?

It came from America when the African slaves were forced to work. They made music to keep their spirits up. A popular feature was call and response music.


How was music a part of an African's life?

African music was a big thing. they used a lot of percussion instruments. && things such as bongos. they often used call & response in there songs


How was music a part of an Africans life When was music played what instruments did they use?

African music was a big thing. they used a lot of percussion instruments. & things such as bongos. they often used call & response in there songs


Is a typical variation on call-and-response in blues music?

Both the call and the response are given by the soloist.


Which is a typical variation on call-and-response in blues music?

Both the call and the response are given by the soloist.


Three common elements found in both African music and Jazz?

Call and Response "buzzy" purposefully impure tones (distortion) Bent or "blue" notes


The call-and-response concept in blues music was different because?

both the call and the response could be given by the soloist.


What does it mean call-and-response in music term?

In music call-and-response is a succession of 2 distinct phrases usually played by different, where the 2nd phrase is heard as a direct commentary on or response to the 1st phrase.


What are the features of African music?

history of their country, their experiences in life. the different characteristics of African music are: polyrhythm, call and response, polyphonic, used of variety tone colors, use of percussion instruments, they are also using their body parts to produce sounds like; stomping, clapping.


Which type of music combines popular music with improvisation syncopation call and response and polyrhythms?

jazz