SINGLE POLARITY:
In single polarity PAM the height of the pulse is made larger than the maximum negetive value of the signla so that it remains positive even when the input is negetive
DOUBLE POLATRITY:
In double polarity PAM the pulse height is made proportional to the amplitude of the signal at the instant of the sampling
P.Nagarjuna
B-tech 3rd year, ECE,
Sri Indu college of engineering and technology
Suppressed carrier single sideband amplitude modulation - SCSSBAM.
amplitude modulation is used
There are many types of modulation. A few examples...AmplitudeFrequencyPhase ShiftModified Frequency (MFM)Non Return to Zero Inverted (NRZI)Frequency Shift Keying (FSK)Other contributors - Please add to this list
Single side band suppressed carrier modulation is like amplitude modulation except that one of the sidebands is suppressed or filtered out. Each sideband carries the same though opposite, information, so suppressing the one sideband allows more power to be placed into the one remaining sideband. The downside, of course, is that the demodulation process is more complex.
In pulse amplitude modulation (PAM), you send a single pulse of a certain height (amplitude) that represents the value of the sampled signal at that time. With pulse code modulation (PCM), you take the same sampled value, but now represent that value by N bits, where N is the number of quantized regions. Why send a whole bunch of bits instead of just a single pulse? Because PCM performs better in situations of higher noise (AWGN).
Suppressed carrier single sideband amplitude modulation - SCSSBAM.
Analog modulationIn analog modulation, the modulation is applied continuously in response to the analog information signal.Common analog modulation techniques are:Amplitude modulation (AM) (here the amplitude of the modulated signal is varied) Double-sideband modulation (DSB) Double-sideband modulation with unsuppressed carrier (DSB-WC) (used on the AM radio broadcasting band)Double-sideband suppressed-carrier transmission (DSB-SC)Double-sideband reduced carrier transmission (DSB-RC)Single-sideband modulation (SSB, or SSB-AM), SSB with carrier (SSB-WC)SSB suppressed carrier modulation (SSB-SC)Vestigial sideband modulation (VSB, or VSB-AM)Quadrature amplitude modulation (QAM)Angle modulation Frequency modulation (FM) (here the frequency of the modulated signal is varied)Phase modulation (PM) (here the phase shift of the modulated signal is varied)
Amplitude modulations can be used to transmit binary data. Remember AM modulation is done using a single carrier frequency, and increasing or decreasing the amplitude. A high amplitude would be considered a '1', and a low amplitude would be considered a '0' (typically).
amplitude modulation is used
There are many types of modulation. A few examples...AmplitudeFrequencyPhase ShiftModified Frequency (MFM)Non Return to Zero Inverted (NRZI)Frequency Shift Keying (FSK)Other contributors - Please add to this list
An advantage of a single side band (SSB) is that it only needs half the bandwidth of AM. AM stands for amplitude modulation.
Edward Bedrosian has written: 'Applications of Volterra-system analysis' -- subject(s): Volterra equations, System analysis 'Transionospheric propagation of FM signals' -- subject(s): Signal theory (Telecommunication) 'Mutual interference in fast-frequency-hopped, multiple-frequency-shift-keyed, spread-spectrum communication satellite systems' -- subject(s): Computer simulation, Communication systems, Artificial satellites in telecommunication, Military telecommunication, Interference, Radio, Spread spectrum communications, Armed Forces 'Amplitude and phase demodulation of filtered AM/PM signals' -- subject(s): Pulse modulation (Electronics), Amplitude modulation 'A comparison of single-sideband, suppressed-carrier and double-sideband, full-carrier amplitude modulation' -- subject(s): Amplitude modulation
Single side band suppressed carrier modulation is like amplitude modulation except that one of the sidebands is suppressed or filtered out. Each sideband carries the same though opposite, information, so suppressing the one sideband allows more power to be placed into the one remaining sideband. The downside, of course, is that the demodulation process is more complex.
AM stands for Amplitude Modulation. Whatever radio frequency you use, a single frequency would just produce silence at the receiver. You need to superimpose sound frequencies onto the carrier wave. Amplitude modulation does this by varying the Amplitude (strength, power) of the radio carrier wave in time with audio frequency. AM is therefore the kind of 'coding' used and has nothing to do with frequency. By convention, amplitude modulation is mostly used in the medium and long, radio waves. From 150 to 1600 Khz. AM is also used for air band communications at 121Mhz, whereas FM is used at marine frequencies of 156Mhz.
In pulse amplitude modulation (PAM), you send a single pulse of a certain height (amplitude) that represents the value of the sampled signal at that time. With pulse code modulation (PCM), you take the same sampled value, but now represent that value by N bits, where N is the number of quantized regions. Why send a whole bunch of bits instead of just a single pulse? Because PCM performs better in situations of higher noise (AWGN).
Vestigial sideband (VSB) is a type of amplitude modulation ( AM ) technique (sometimes called VSB-AM ) that encodes data by varying the amplitude of a single carrier frequency . Portions of one of the redundant sidebands are removed to form a vestigial sideband signal - so-called because a vestige of the sideband remains.
I will answer this in the simplest way I know in the application I use it in; this would be in audio applications. Amplitude modulation is modulation of a carrier source's loudness; Frequency modulation is modulation of a carrier source's pitch; and Phase modulation is modulation of a carrier source's duty cycle/symmetry/timbre. One can often notice that all 3 modulation types relate in some way with another in that when frequency rises and falls it typically makes it favorable for either a rise in loudness or timbre. The most analog way to understand it in nature is typically your small vowel sounds like "iiiiiiiiiiiiii" as in the American-English word 'easy' and 'eeeeeeeeeeee' as in 'edge' are easier to say with loudness at higher pitches; medium vowel sounds like 'uuuuuuuuuuu' as in 'Utter' or 'sOn' and 'aaaaaaaaaaaa' as in 'Awe' *chuckles* are easier to say with loudness at medium pitches; large vowel sounds like 'ooooooooooo' as in 'Oh' and 'uuuuuuuuuuuu' as in 'rUne' are easier to say with loudness at lower pitches. AM is often known as 'tremolo'; FM is often known as 'vibrato'; PM is often known as 'wow'; AM/FM is 'vibremelo' and fill in the blanks for the other sub-variants. Maikel Stellerfield