0
What else can I help you with?
Who was the first master of the High Renaissance style?
Josquin Desprez
What is Brunelleschi best known for?
Brunelleschi is important on many accounts, e.g. he was the first to master perspective drawing, but he is best known for constructing the dome of the Florence cathedral.
What did an apprentice for a master of renaissance painting do?
An apprentice's first tasks were humble: sweeping, running errands, preparing the wooden panels for painting, and grinding and mixing pigments. As the apprentice's skills grew, he would begin to learn from his master: drawing sketches, copying paintings, casting sculptures, and assisting in the simpler aspects of creating art works. The best students would assist the master with important commissions, often painting background and minor figures while the Master painted the main subjects. The few apprentices who showed amazing skill could eventually become masters themselves. A very few became greater artists than their masters. One legend tells of the young Leonardo da Vinci painting an angel so perfectly that his master Verrocchio broke his brushes in two and gave up painting forever in recognition of his pupil's superior abilities.
What city did El Greco live?
El Greco was a Greek artist who was born around 1541. His worked showed that he was a master of the Spanish Renaissance. He died on April 7, 1614 in Toledo, Spain.
What were slaves used for in the renaissance?
Slaves were used for labor intensive jobs such as planting rice, or tobacco. They also were used for picking cotton. They did all kinds if farm work, they also did iron work. They were used as bed warmers. They basically did whatever their master told them to do.
What are florentines?
The Florentine masters were a handful of master artists from the renaissance period. Usually interested in painting.
Why was Leonardo da Vinci an architect?
Renaissance artists were supposed to master painting, sculpture and architecture. Leonardo never executed any architecture, although he did a few sketches.
What was petrarch a master of?
Petrarch was a master of Renaissance Humanisthope i helped [:
Was Henri Matisse a master of perspective?
He was, but for most of his life he did not use perspective in his paintings.
How did jacopo influence the renaissance?
Jacopo, likely referring to Jacopo Bellini, played a significant role in the Renaissance through his contributions to painting and the development of artistic techniques. As a master of the Venetian school, he emphasized the use of vibrant color, perspective, and realistic human forms, influencing his contemporaries and students, including his sons, Gentile and Giovanni Bellini. His integration of naturalism and emotion in art helped to shift the focus towards human experience, laying the groundwork for future Renaissance artists. Additionally, his work in the use of oil paints and exploration of light and shadow further advanced the artistic techniques of the era.
Which High Renaissance master painted a likeness of Castiglione?
Raphael did.
Who was the first master of the High Renaissance style?
Josquin Desprez
How does david emphasize michelangelos master of human movement?
The 'David' in Florence, Italy.
What has the author W A Nicholls written?
W. A. Nicholls has written: 'The national drawing master' -- subject(s): Drawing, Perspective 'The national drawing master' -- subject(s): Dessin, Drawing, Perspective
Who is Leonardo Donatello Michelangelo and Raphael?
They were both Renaissance geniuses, towering above the rest. They are both Renaissance artists from the Florence area. Leonardo painter, inventor and scientist. Michelangelo sculptor, painter, architect, poet.
Who was the master of oil painting from the Northern Renaissance?
Jan van Eyck.
What has the author Pat Gilmour written?
Pat Gilmour has written: 'Ken Tyler' 'Artists in Print' -- subject(s): Lithography, Prints 'The mechanised image' -- subject(s): Prints, History 'Artists at Curwen' -- subject(s): British Lithography, Exhibitions, Lithography, British 'Ken Tyler, master printer, and the American print renaissance' -- subject(s): American Prints, Criticism and interpretation, Prints, American
