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There is only one mechanism for protecting data in C++: declare the data private. This ensures that only the class and friends of the class have unrestricted access to the data.

Although protected access sounds more appropriate with regards protecting data, this is not the case at all. Protected data has the same restrictions as private data but also exposes the data to derivatives of the class. This means that any user can derive a class from your class and thus gain unrestricted access to the so-called "protected" data.

Although you could declare your class final to prevent users from inheriting from your class, it makes no sense to use protected data in a final class. Although the language would permit such a declaration, the two are mutually exclusive.

Note that, unlike Java, C++ has no 'final' keyword (the C# equivalent is 'sealed'). However, we can make use of existing mechanisms to achieve the same end. Consider the following:

class A;

class B

{

friend class A;

private:

B () {}

};

class A : public virtual B {};

In the above example, class A is final. To understand why, keep in mind that virtual inheritance guarantees that the most-derived class must be able to call the least-derived class constructor first. In this case, the least-derived class B has a private constructor that is only accessible to friend class A. Thus A must always be the most-derived class. In other words, only A can inherit from B and no other class can inherit from A.

Since A is final, it makes no sense to declare any protected members within A as no class can inherit them. Also, it makes no sense to declare protected members in B since A automatically inherits private members of B by virtue of being a friend class and is the only class that can inherit from B in any case.

As a general rule of thumb, protected data should be avoided whenever possible. Data should either be private or public. There is rarely the need for a derived class to inherit data, bearing in mind that this could undermine the encapsulation of your class.

Protected methods are generally OK if you expect your class to be inherited by many classes for which you may not have any control over (an open system), but where those derivatives require access to internal methods that would otherwise be declared private. The only alternative would be to declare those derivatives as friend classes, which is only feasible when you have full control over those derivatives (a closed system). In that case it may prove simpler to use final mechanics instead.

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Q: What are the different mechanism for protecting data from external user of the class in c plus plus?
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http://www.answers.com/Aretha FranklinDid you mean: aretha Franklin" class='external' title="arethaFranklin (Singer), aretha Franklin 66" class='external' title="arethaFranklin 66http://www.answers.com/library/Who2%20Biographies-cid-31635Aretha Franklin, Singerhttp://www.answers.com/> http://www.answers.com/main/what_content.jsp> http://www.answers.com/main/reference.jsp> http://www.answers.com/library/Who2+Biographies-cid-31635Born: 25 March 1942Birthplace: Memphis, TennesseeBest Known As: The "Queen of Soul" who sang "Respect"Aretha Franklin is called "The Queen of Soul" and "Lady Soul," nicknames that are a tribute to her regal style and impassioned gospel-tinged vocals. The daughter of Rev. C. L. Franklin, a Detroit gospel singer and clergyman, Aretha began performing on the Midwest gospel music circuit as a youngster and made her first recording when she was 14 years old. Her pop music recording career began when she signed a record deal in 1961 with CBS/Columbia, but her career really took off when she signed with Atlantic Records in 1967. By the end of the 1960s Franklin was at her peak as an artist -- with hits including Otis redding" class='external' title="Otisredding\'s "Respect", as well as "Chain of Fools" and "(You Make Me Feel Like) A Natural Woman" -- and had become an African-American icon during the era's turbulent battles over civil rights for minorities and women. She sang "God Bless America" at the 1977 inauguration of President jimmy carter" class='external' title="jimmycarter and continued to perform and record both soul and gospel music into the 21st century. 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More than any other performer, she epitomized soul at its most gospel-charged. Her astonishing run of late-'60s hits with Atlantic Records -- "Respect," "I Never Loved a Man," "Chain of Fools," "Baby I Love You," "I Say a Little Prayer," "Think," "The House That Jack Built," and several others -- earned her the title "Lady Soul," which she has worn uncontested ever since. Yet as much of an international institution as she's become, much of her work -- outside of her recordings for Atlantic in the late '60s and early '70s -- is erratic and only fitfully inspired, making discretion a necessity when collecting her records. Franklin's roots in gospel ran extremely deep. With her sisters Carolyn and Erma (both of whom would also have recording careers), she sang at the Detroit church of her father, Reverend C.L. Franklin, while growing up in the 1950s. In fact, she made her first recordings as a gospel artist at the age of 14. It has also been reported that Motown was interested in signing Aretha back in the days when it was a tiny start-up. Ultimately, however, Franklin ended up with Columbia, to which she was signed by the renowned talent scout John Hammond.Franklin would record for Columbia constantly throughout the first half of the '60s, notching occasional R&B hits (and one Top 40 single, "Rock-a-bye Your Baby With a Dixie Melody") but never truly breaking out as a star. The Columbia period continues to generate considerable controversy among critics, many of whom feel that Aretha's true aspirations were being blunted by pop-oriented material and production. In fact, there's a reasonable amount of fine items to be found on the Columbia sides, including the occasional song ("Lee Cross," "Soulville") where she belts out soul with real gusto. It's undeniably true, though, that her work at Columbia was considerably tamer than what was to follow, and suffered in general from a lack of direction and an apparent emphasis on trying to develop her as an all-around entertainer, rather than as an R&B/soul singer.When Franklin left Columbia for Atlantic, producer jerry wexler" class='external' title="jerrywexler was determined to bring out her most soulful, fiery traits. As part of that plan, he had her record her first single, "I Never Loved a Man (The Way I Love You)," at Muscle Shoals in Alabama with esteemed Southern R&B musicians. In fact, that was to be her only session actually at Muscle Shoals, but much of the remainder of her '60s work would be recorded with the Muscle Shoals Sound Rhythm Section, although the sessions would actually take place in New York City. The combination was one of those magic instances of musical alchemy in pop: the backup musicians provided a much grittier, soulful, and R&B-based accompaniment for Aretha's voice, which soared with a passion and intensity suggesting a spirit that had been allowed to fly loose for the first time.In the late '60s, Franklin became one of the biggest international recording stars in all of pop. Many also saw Franklin as a symbol of black America itself, reflecting the increased confidence and pride of African-Americans in the decade of the civil rights movements and other triumphs for the black community. The chart statistics are impressive in and of themselves: ten Top Ten hits in a roughly 18-month span between early 1967 and late 1968, for instance, and a steady stream of solid mid- to large-size hits for the next five years after that. Her Atlantic albums were also huge sellers, and far more consistent artistically than those of most soul stars of the era. Franklin was able to maintain creative momentum, in part, because of her eclectic choice of material, which encompassed first-class originals and gospel, blues, pop, and rock covers, from the beatles" class='external' title="thebeatles and Simon and garfunkel" class='external' title="Simonand garfunkel to sam cooke" class='external' title="samcooke and the drifters" class='external' title="thedrifters. She was also a fine, forceful, and somewhat underrated keyboardist.Franklin's commercial and artistic success was unabated in the early '70s, during which she landed more huge hits with "Spanish Harlem," "Bridge Over Troubled Water," and "Day Dreaming." She also produced two of her most respected, and earthiest, album releases with Live at Fillmore West and Amazing Grace. The latter, a 1972 double LP, was a reinvestigation of her gospel roots, recorded with James Cleveland and the Southern California Community Choir. Remarkably, it made the Top Ten, counting as one of the greatest gospel-pop crossover smashes of all time.Franklin had a few more hits over the next few years -- "Angel" and the Stevie wonder" class='external' title="Steviewonder cover "Until You Come Back to Me" being the most notable -- but generally her artistic inspiration seemed to be tapering off, and her focus drifting toward more pop-oriented material. Her Atlantic contract ended at the end of the 1970s, and since then she's managed to get intermittent hits -- "Who's Zooming Who" and "Jump to It" are among the most famous -- without remaining anything like the superstar she was at her peak. Many of her successes were duets, or crafted with the assistance of newer, glossier-minded contemporaries such as Luther vandross" class='external' title="Luthervandross. There was also another return to gospel in 1987 with One Lord, One Faith, One Baptism.Critically, as is the case with many '60s rock legends, there have been mixed responses to her later work. Some view it as little more than a magnificent voice wasted on mediocre material and production. Others seem to grasp for any excuse they can to praise her whenever there seems to be some kind of resurgence of her soul leanings. Most would agree that her post-mid-'70s recordings are fairly inconsequential when judged against her prime Atlantic era. The blame is often laid at the hands of unsuitable material, but it should also be remembered that -- like Elvis Presley and Ray Charles -- Franklin never thought of herself as confined to one genre. She always loved to sing straight pop songs, even if her early Atlantic records gave one the impression that her true home was earthy soul music. If for some reason she returned to straight soul shouting in the future, it's doubtful that the phase would last for more than an album or two. In the meantime, despite her lukewarm recent sales record, she's an institution, assured of the ability to draw live audiences and immense respect for the rest of her lifetime, regardless of whetheraretha Franklin


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internal test - class test- pen and paper test. external test - exams - yearly.


Who is zhang yining the ping pong player?

Chinese Name:张 怡宁English Name: Zhang YiningNationality:Chinesebirthday:5,Oct,1981birthplace:Beijing,Chinahigeht: 1.71 mZhang is a Chinese professional table tennis player. She is the world No.1 .Successes45th world table tennis championships" class='external' title="worldtable tennis championships (1999) Women's Single Silver.45th world table tennis championships" class='external' title="worldtable tennis championships (2000) Women's Team Gold..5th ittf pro tour grand finals" class='external' title="ittfpro tour grand finals (2000) Women's Single Gold.5th table tennis world cup" class='external' title="tabletennis world cup (2001) Women's Single Gold.46th world table tennis championships" class='external' title="worldtable tennis championships (2001) Women's Team Gold6th table tennis world cup" class='external' title="tabletennis world cup (2002) Women's Single Gold.7th ittf pro tour grand finals" class='external' title="ittfpro tour grand finals (2002) Women's Single Gold.47th world table tennis championships" class='external' title="worldtable tennis championships (2003) Women's Single Silver, Women's Double Gold.47th world table tennis championships" class='external' title="worldtable tennis championships (2004) Women's Team Gold.28th olympic games" class='external' title="olympicgames (2004) Table Tennis Women's Single Gold, Women's Double Gold.8th table tennis world cup" class='external' title="tabletennis world cup (2004) Women's Single Gold.48th world table tennis championships" class='external' title="worldtable tennis championships (2005) Women's Single Gold, Women's Double Gold.9th table tennis world cup" class='external' title="tabletennis world cup (2005) Women's Single Gold.10th ittf pro tour grand finals" class='external' title="ittfpro tour grand finals (2005) Women's Single Gold.48th world table tennis championships" class='external' title="worldtable tennis championships (2006) Women's Team Gold.11th ittf pro tour grand finals" class='external' title="ittfpro tour grand finals (2006) Women's Single Gold.49th world table tennis championships" class='external' title="worldtable tennis championships (2007) Women's Double Gold.11th table tennis world cup" class='external' title="tabletennis world cup (2007) Women's Team Gold.49th world table tennis championships" class='external' title="worldtable tennis championships (2008) Women's Team Gold29th olympic games" class='external' title="olympicgames (2008) Table Tennis Women's Single Gold, Women's Team Gold.50th world table tennis championships" class='external' title="worldtable tennis championships (2009) Women's Single Gold.


Is titanic first class stairwell clock still in tacked?

no. It is wrecked and water destroyed the time mechanism


What is reflection in NET?

Refelction is the mechanism of discovering class information solely at run time. Wondering where it would be useful?