How to tell depends whether you're talking about one person singing out of tune with others (who should be singing the same note), or one-person singing out of tune (with nobody else on a similar part.)
The answer comes out of physics. If two (or more) people are singing very nearly, but not quite, the same pitch, you will hear "beats". That means that you will hear moments, repeating in a regular pattern, in which the sound seems louder or softer. It comes from constructive and destructive interference, and the frequency of the beats is equal to the difference in frequency of the fundamental pitches. Think of it like common multiples. If one pitch (frequency in wave form) reaches a peak every 4 hundredths of a second (25 times per second, or 25 hertz), and a second pitch reaches its peak every 5 hundredths of a second (20 times per second, or 20 hertz), those two peaks will coincide with each other once every 20 hundredths of a second (5 times per second, or 5 hertz, the difference between the original two pitches/frequencies.) Note that if the difference is large enough, you will hear them as two distinct pitches, rather than "beats" or an out-of-tune note. So the long answer here involves the physics and calculations, but the simple one is that if you hear beats, the two pitches are not in tune with each other.
If you're singing a solo, there isn't anything quite so easily quantifiable to the untrained ear. You can learn over time to hear relations of pitches, but the math/physics don't translate as directly into the hearing on this one. "In-tune" as a concept doesn't change much, but it's in-tune based on relations to the pitch where you started, and not to a pitch that is still ringing at a given later moment, for ease of comparison. If you're asking primarily in order to keep yourself in tune, I suggest singing with a choir, where you will hear beats if your section doesn't match pitch quite accurately. Once you know what to listen for, it won't be difficult to notice you're out of tune, though fixing it is not as simple. As a soloist, you'll need to have a good ear since you don't have that comparison. However, it is very often vocal technique that causes people to sing a note sharp or flat, rather than failure to hear the note accurately. A very general rule, though, is that sharpness is caused by tension in the voice, and flatness is caused by insufficient breath support. So those are the things to address if you notice (by comparison with another instrument if you need to) that you're often going sharp or flat. The details of how to fix this can involve considerable training, and you should seek a voice teacher.
Hope that helps!
well you could start by getting a tuner and find out for sure it all depends how often it has been tuned lately and how good the keys are there is also some guitar sites that you could browse that have tuners on their for you to listen to and try to match it
If one does not possess perfect pitch the simplest way to tell if one's Selmer Alto Saxophone is in tune is to use a tuner. These are available for purchase both at music shops and on the internet.
There are specified tuners made exclusively for piano incorporating the overtone series to make sure that the piano is perfectly in tune.
It sound really nice
Yes.
The written low Bb of an alto sax sounds a C# (or Db) in the middle of the bass clef, also know as C#3. The frequency of the note is 138.59 Hz, assuming the note is played in tune with A4 = 440Hz..
Hedwig's Theme is a distinctive tune from the Harry Potter movies. It is possible to get sheet music to play it on the alto sax online.
You press the keys until a tune resembling "Crank Dat" can be heard.
From highest to lowest pitch: Soprano, Alto, Tenor, and Baritone. The Soprano and Tenor are keyed in Bb The Alto and Baritone instruments are keyed in Eb. The baritone saxophone requires more lung capacity and is probably too large for a younger student. The soprano saxophone is the most difficult of these four to play in tune. Therefore most students of the saxophone begin on Alto or Tenor try others after they have some proficiency.
There was a very limited amount of Selmer Mark VI tenors with a low A key but they where out of tune and just sounded bad.
Pull the mouthpiece off of the neck a little bit.
No. It may be possible to force an alto mouthpiece on a tenor neck or to seal a tenor mouthpiece on an alto neck, but the sax won't play properly in tune with the wrong size mouthpiece.
There is not a set method for caring for your saxophone, but this is what I do:Get a cleaner for the sax. you leave it in whenever it is not in use.Always keep the stopper at the top of the body of the sax in when it is not in useKeep it in its case when not in useClean it every once in a whileTake it to a repair shop for regular tune upsHandle it with care
The written low Bb of an alto sax sounds a C# (or Db) in the middle of the bass clef, also know as C#3. The frequency of the note is 138.59 Hz, assuming the note is played in tune with A4 = 440Hz..
yes
Hedwig's Theme is a distinctive tune from the Harry Potter movies. It is possible to get sheet music to play it on the alto sax online.
Tune is a four letter word for melody. Other words include song and hymn.
You press the keys until a tune resembling "Crank Dat" can be heard.
From highest to lowest pitch: Soprano, Alto, Tenor, and Baritone. The Soprano and Tenor are keyed in Bb The Alto and Baritone instruments are keyed in Eb. The baritone saxophone requires more lung capacity and is probably too large for a younger student. The soprano saxophone is the most difficult of these four to play in tune. Therefore most students of the saxophone begin on Alto or Tenor try others after they have some proficiency.
It was Stan Sulzmann for the series of poirot
There was a very limited amount of Selmer Mark VI tenors with a low A key but they where out of tune and just sounded bad.
It's the same tune to 'baa baa black sheep' :)