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What texture does Chopin's etude in c minor Revolutionary have?
Wiki User
∙ 11y ago
This is actually a fascinating question. I suppose that technically, it could be called polyphonic, since the left hand is technically playing a counter-melody throughout. However, the nature and feel of the left hand part still suggests a secondary, supportive role, with the right hand part clearly being the main focus melody. So I'd say that the texture qualifies as homophonic.
And, of course, those runs down where both hands are playing the same thing would be monophonic.
Wiki User
∙ 11y ago
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Does Chopin's etude in c minor Revolutionary have a homophonic texture?
Yes, Chopin's "Revolutionary Etude" in C minor has sections that exhibit a homophonic texture, where the melody is supported by chords played in the accompaniment. This texture is particularly evident in the more forceful and dramatic passages of the piece.
Is Chopins Waltz in C-sharp minor from Revolutionary etude?
No. Both are well known pieces by Chopin, but written at different times, and not related to each other.
Is Chopins Waltz in C-sharp minor part of Revolutionary Etude?
No. Both are well known pieces by Chopin, but written at different times, and not related to each other.
Is Chopin's etude in c minor Revoutionary in homophonic Texture?
Chopin's Etude in C minor, Op. 10, No. 12, also known as the "Revolutionary Etude," is primarily a polyphonic composition. It features multiple independent melodic lines playing simultaneously, rather than a single melody accompanied by chords, which is characteristic of homophonic texture.
Is the etude op10 no 12 in c minor by Frederic Chopin is nicknamed revolutionary because it started a major upheval in Paris in 1820?
Given that Chopin was born in 1810 in Poland, and his Revolutionary Etude wasn't written until 1831, the answer is a definite NO.
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Frédéric Chopin is famous for his piano compositions. He wrote by far the most piano compositions as a composer. His etudes and preludes are very famous and acclaimed. He also wrote mazurkas, valses, sonatas, polonaises, nocturnes, scherzos and so forth. His most famous pieces are the revolutionary etude (op. 10 no. 12), ballade in g minor (op. 23) and nocturne posthume. His scherzos were very innovative, just like his preludes and etudes. (He was the first to compose a etude which was musically more demanding than technically demanding. His preludes are famous because they are all wonderful separate pieces, unlike other preludes (before Chopin) which needed be played before ('pre') another piece (for instance preludes and fugas by Bach)
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Chopin's Revolutionary Etude (Op 12 No 12) was dedicated to his dear friend Franz Liszt, and was Chopin's interpretation of a piece with the feel and speed of Liszt, but with Chopin's grandiose melody.The opening bars are meant to be played extremely fast, and in the spirit of an Etude repeats a (mid high mid low) pattern of sound where both hands must keep this insane speed as the piece alternates the appassionata runs between them.To answer this question, the musical concept most obviously intended to be practiced is the consistent alternation between the treble and bass semiquavers (sixteenth notes) and the ability to voice a melody of chords over a incredibly fast string of sixteenth notes; ranging from Fortissimo to Pianissimo.The concepts most illustrated by the Chopin's 12th etude are speed, consistency, and voicing.
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No, it's as the name suggests, a prelude, a study normally takes the name 'etude'
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