well i'd give you the answer but im to tired after last night with your mama
Futura
The Futura font.
The Futura font.
The sans serif font developed by the German Bauhaus movement in 1928 is called "Universal." It was designed by Herbert Bayer, one of the prominent designers associated with the Bauhaus. The Universal font is known for its geometric shapes and simplistic design.
The Futura font.
Paul Renner designed Futura in 1927, but is often recorded as being published in 1928. Jan Tsichold used it in his designs that heavily sparked the Modernist movement that led the Bauhaus' foundation.
Sans Serif Letterforms Monoline letterforms actually began to appear long before they became an established style in early Greek inscriptions. It wasn't until around 1816 that the first sans serif type appeared - in a type specimen book of William Caslon IV. Caslon's sans serif design was probably a simplified version of popular faces during that time, however it turned out to be one of the most important developments in type design since the introduction of movable type. The value of sans serif type soon became noticeable. By somewhere around 1832, several type foundries had released their own versions. Sturdy, simple forms allowed the characters to be condensed and expanded in extremes, which made sans serif faces very popular for display and advertising. Sans serif type was used almost exclusively for display type and continued as such into the early twentieth century. Then, typographers associated with the German Bauhaus movement began designing and using sans serifs for texts. The oppressive German government forced many designers who used this new typography to flee. In modern typography, sans serif faces are widely used to convey a modern or progressive feeling. Sans serif typefaces are generally classified as gothic, geometric, or humanistic. When calligrapher Edward Johnston designed London Transport typeface, most sans serifs were called gothics (or grotesque in England) because they were first used as displays and categorized with the heavy condensed 19th center posters. The geometric sans serifs are named that way because their forms are based on the straight edge and the compass. These are attributed to the ideals and philosophies of the German Bauhaus art movement. Initially designed as an alternative to the difficult to read German fraktur, geometric types depended on clean legible forms. The humanistic sans serifs have roots in classical Roman letterforms. Humanistic sans serifs combine the legibility and beauty of early serif faces with the simplicity of sans serifs.
Usually the serif fonts are divided into 2 categories, slab serif and serif. Clarendon is an example of a slab serif.
Agency is a sans serif font.
Semi-serif fonts are a combination of serif and sans-serif styles, where the font has some serif features but is less pronounced compared to traditional serif fonts. They provide a more modern and clean look while still maintaining some of the elegance associated with serif fonts.
serif.
Serif fonts have small lines (serifs) at the ends of characters, while sans serif fonts do not have these lines. Serif fonts are often seen as more traditional and formal, while sans serif fonts are considered more modern and clean. Sans serif fonts are typically easier to read on screens.