yes
To find an inversion of a Chord, you simply move the lowest note in the chord up and octave and leave the rest the same. Alternatively, you can move the highest note in the chord down an octave. Example: C-E-G (C Major Root Position) E-G-C (C Major 1st Inversion) G-C-E (C Major 2nd Inversion
A major chord is the first, third, and fifth of any major scales. Example: C, E, G is a C major chord.
B major: First inversion = D♯, F♯ and B Second inversion = F♯, B and D♯ F♭ Major: First inversion = A♭, C♭ and F♭ Second inversion = C♭, F♭ and A♭ N.B: F♭ Major is enharmonic with E major.
That is called the "base" of the chord. Try not to get this word confused with "root," which is the lowest note of the chord if it is in root position. Root position is when the chord is built up in thirds. Ex: C, E and G make up the C chord and the root of the chord "C" is also the base note. If this same C chord is mixed around so that G is the lowest note then higher in order is C and then E, then G would be the base note of the chord.
A ii7 chord is a minor seventh chord built on the second degree of the (usually major) scale. Thus in C major it would consist of the notes D-F-A-C, or in A major it would consist of B-D-F#-A. It is a predominant, usually resolving to some sort of V, with the chord seventh (scale degree 1) resolving down by step to the leading tone (scale degree 7). The chord is used probably most often in first inversion, in which case it is usually labelled ii6/5 The equivalent in the minor mode is iiø7, also usually found in first inversion. The only difference is that the chord fifth (scale degree six) is a chromatic semitone lower. Thus in C minor it would D-F-Ab-C, and in A minor B-D-F-A. It functions the same way, resolving to V with the chord seventh dropping to the leading tone.
To find an inversion of a Chord, you simply move the lowest note in the chord up and octave and leave the rest the same. Alternatively, you can move the highest note in the chord down an octave. Example: C-E-G (C Major Root Position) E-G-C (C Major 1st Inversion) G-C-E (C Major 2nd Inversion
A major chord is the first, third, and fifth of any major scales. Example: C, E, G is a C major chord.
A I6 is the analytical way to say "I chord, first inversion." This could also mean (and it usually does) that the I chord, in any inversion, has the third in the bass. Let's look at some examples: Suppose you were in the key of C major. The I chord would be C, made up of the notes C, E, and G with C in the bass. Therefore, the I6 chord would be C/E (C with the bass note E). Suppose you were in the key of G major. The I chord would be G, made up of the notes G, B, and D with G in the bass. Therefore, the I6 chord would be G/B (G with the bass note B). This also brings up if you have the I chord with the fifth in the bass. That is written as I46 (but with the numbers directly on top of each other, which I don't know how to do on the computer). In C this chord would be C/G.
A major chord is the first, third, and fifth of any major scales. Example: C, E, G is a C major chord.
B major: First inversion = D♯, F♯ and B Second inversion = F♯, B and D♯ F♭ Major: First inversion = A♭, C♭ and F♭ Second inversion = C♭, F♭ and A♭ N.B: F♭ Major is enharmonic with E major.
That is called the "base" of the chord. Try not to get this word confused with "root," which is the lowest note of the chord if it is in root position. Root position is when the chord is built up in thirds. Ex: C, E and G make up the C chord and the root of the chord "C" is also the base note. If this same C chord is mixed around so that G is the lowest note then higher in order is C and then E, then G would be the base note of the chord.
A ii7 chord is a minor seventh chord built on the second degree of the (usually major) scale. Thus in C major it would consist of the notes D-F-A-C, or in A major it would consist of B-D-F#-A. It is a predominant, usually resolving to some sort of V, with the chord seventh (scale degree 1) resolving down by step to the leading tone (scale degree 7). The chord is used probably most often in first inversion, in which case it is usually labelled ii6/5 The equivalent in the minor mode is iiø7, also usually found in first inversion. The only difference is that the chord fifth (scale degree six) is a chromatic semitone lower. Thus in C minor it would D-F-Ab-C, and in A minor B-D-F-A. It functions the same way, resolving to V with the chord seventh dropping to the leading tone.
On keyboard you can play a chord using just the root, third and fifth. For the "C" chord, this is C E G. This is root position. The other chords would be first inversion, and the second inversion. You simply move the "root" note, or C so that it's the third note instead of the first, or E G C. The second inversion is G C E. You can achieve totally different sounds by changing the root, and also, when you change chords, it can be easier, and add a different effect.
That would most likely be a Gsus4. Although it *could*, in the right context, be an odd inversion of a Csus2. The big question would be: what's the *next* chord? If it's g-d-g-b, then it was a Gsus4. If it's g-e-g-c, then it was Csus2.
The C major chord is the chord that you will learn when first learning music.
No.
A chord with the fourth in it. C fourth chord is C F and A, although, it's not really called a fourth, it's called a suspension or suspended chord.